Abbey Lee stars in Puss Puss Magazine Autumn/Winter 2025/26, photographed by Kat Irlin in a series of striking editorial looks including Saint Laurent by Anthony Vaccarello.

For the Autumn/Winter 2025/26 issue of Puss Puss Magazine , Abbey Lee takes center stage in a series of portraits that merge raw intimacy with high fashion spectacle.

  • On the cover , Lee wears a plush oversized grey Saint Laurent hoodie by Anthony Vaccarello , paired with gold high‑heeled shoes with bow details , photographed by Kat Irlin against a stark dark backdrop. The styling juxtaposes streetwear comfort with couture glamour.
  • In another frame, she appears in a semi‑transparent lace dress , seated in a dimly lit studio, captured mid‑preparation as a stylist adjusts her hair—an evocative behind‑the‑scenes beauty shot that blurs the line between editorial polish and candid vulnerability.
  • Additional looks explore contrasts of texture and silhouette, from sculptural tailoring to sheer layering, situating Lee as both muse and provocateur within the spread.
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Maude Apatow headlines Vogue USA November 2025 with a cinematic editorial titled The Search for the Sapphire, blending narrative storytelling with high fashion imagery.

For the November 2025 issue of Vogue USA , Maude Apatow takes on a role that blurs the line between cinema and editorial. The spread, titled The Search for the Sapphire , unfolds like a screenplay, with Apatow cast as a glamorous heroine navigating hotel vaults, wardrobes, and marble‑lined corridors in pursuit of a mysterious treasure.

The visuals are striking:

  • In one sequence, Apatow clutches the coveted “deep blue treasure” in her palm, the Chase Sapphire Reserve card , described as gleaming like a jewel.
  • Another frame shows her in a black‑and‑white striped dress , captioned “Mission Complete,” embodying both elegance and espionage.
  • Additional stills depict her in a raven coat at night , heels echoing against marble floors, and later in a black asymmetrical cocktail dress with opera gloves , clutching a bright red article that ties the narrative together.

The editorial is less about static fashion poses and more about cinematic immersion , where wardrobe, setting, and text combine to create a serialized drama.

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This feature reflects the 2025 fascination with editorials as narrative cinema , where fashion spreads adopt the language of film to tell stories of desire, mystery, and identity. By weaving Apatow into a noir‑styled narrative, Vogue USA positions her not just as a model but as a protagonist—an actress whose performance extends into the pages of fashion.

The campaign’s partnership with Vulkan Sapphire Reserve underscores the merging of luxury branding with editorial storytelling, where products are seamlessly embedded into the narrative rather than presented as mere accessories.

Charlotte Lawrence wore Alessandra Rich and other couture looks in Puss Puss Magazine Autumn/Winter 2025/26, photographed by Chloé Horseman in a striking editorial spread.

For the Autumn/Winter 2025/26 issue of Puss Puss Magazine , Charlotte Lawrence collaborated with photographer Chloé Horseman on a series of portraits that merge intimacy with high fashion spectacle.

  • On the cover , Lawrence appears in an Alessandra Rich white lace‑trimmed dress with black straps , paired with sheer stockings and black heels, leaning forward against a textured blue wall.
  • In another frame, she wears a strapless black top with sheer patterned leggings and flared ruffles , styled with white heels, set against a gritty chain‑link fence backdrop.
  • A third look features a dramatic strapless gown with gold pleats and a voluminous ruffled skirt in gold and black lace , photographed against a stark white brick wall, emphasizing texture and contrast.

The editorial juxtaposes studio portraiture with urban grit , underscoring Lawrence’s ability to shift between vulnerability and theatricality.

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