Adéla wore a black lace-trimmed silk romper with heels and tights at the Saint Laurent Grammy 2026 party in Los Angeles on February 1.
At the Saint Laurent Grammy 2026 after party on February 1st, 2026 , held inside Bar Marmont, Adéla appeared in a look that refused to whisper. The black silk romper with scalloped lace trim at the neckline and hem made no effort to pretend it wasn’t lingerie. No layering. No save-me coat draped over the shoulders. Just monochrome minimalism made bold by context.
Sheer black tights , glossy pointed heels , and a diamond pendant necklace completed the outfit with the kind of tactical restraint only someone extremely sure of the effect would dare attempt. Add oversized black sunglasses indoors—and there was no mistaking the attitude: elusive, styled, self-contained. The rose-pink hair , glossy and tightly waved, added just enough softness to keep the leather-free look from feeling flat.
In a broader trend where high fashion continues to borrow from bedrooms, this outfit betrays the rules without screaming about it. It doesn’t wink. It doesn’t layer meaning. It simply shows up and lets the contradiction speak—private softness in a hyper-exposed space. Sometimes the best statement is one worn so literally, it becomes abstract again.
Sarah Snook’s Vogue China February 2026 shoot moves between red pleats, rustic walls, forest light, coastal beige, and white field calm.
On the cover of Vogue China’s February 2026 issue, Sarah Snook stands in a long red dress, pleated, foliage behind her. The stance is steady, the color sharp against green.
Another frame: dark gray outfit, jacket tied at the waist, pants matching. Wooden wall behind, rustic planks, lipstick red. It’s moody, almost contemplative.
Then the forest. Beige gown, shawl draped, sunlight filtering through trees. Shadows heavy, beams cutting across. The look feels grounded, almost spiritual.
Fourth: beige form-fitting outfit, coat draped. Hills rolling, ocean distant, sky clouded. The tone is softer, but the setting makes it expansive.
Last frame: white coat and pants, sitting on grass. Trees shading, sunlight scattered. The pose is relaxed, almost careless, but the outfit keeps it sharp.
Together, the spread doesn’t flatten her. It lets her shift. Red, gray, beige, white. Each outfit carries its own imperfect rhythm.
Tove Lo wore a lace-trimmed silk romper and oversized leather jacket at the Saint Laurent Grammy after party in Los Angeles, 2026.
At the Saint Laurent-hosted Grammy after party held on February 1st, 2026 at Bar Marmont in Los Angeles, Tove Lo offered up a studied collision of softness and edge. Her look—a blush-toned silk romper with lace trim and lingerie detailing—read as intentionally undone, part bedroom, part downtown. Over it, she wore an oversized brown leather jacket , heavy with structured drop shoulders that echoed ’80s durability more than boudoir delicacy. Semi-sheer black tights and sharply-pointed patent black pumps grounded the outfit with a touch of severity. She carried a microbag with dangling drawstring details, barely functional, all attitude.
This after-dark hybrid of fashion photoshoot and gritty nightlife called less to Hollywood polish and more to those grainier scenes just off the main drag—part of a subtle mood shift happening in celebrity partywear this season. While most still reach for sequins and plunging gowns, Lo’s pairing of lingerie with outerwear hit a different register: informed by intimacy, but refusing to feel vulnerable. And in the current fashion climate, with high fashion increasingly flirting with disheveled realism, that refusal matters.
The outfit is well-paced—not overstyled, not aloof. The feminine base is disrupted but not erased by the leather shell, giving her a duality that reads lived-in, not just posed. The shine of the shoes and jacket offer tension against the matte fray of her cream romper, suggesting the look was built in layers over time, like a day that got away without ever intending to dress up. It’s bedtime tailoring recontextualized for the afterhours crowd, dressed in irony and secondhand heat.
