Addison Rae wore a black trench coat while performing onstage at Beyond the Valley Festival in December 2025.
Addison Rae onstage. Black trench coat sweeping, fabric heavy, silhouette sharp. Hair flying, microphone clenched, voice caught in the lights.
The coat feels oversized, almost too much. A garment meant for streets dragged into spotlight. Yet it works. Movement turns fabric into spectacle.
It’s melodramatic even. Coat too heavy, stage too dark, gesture too strident. Yet together, they carry rhythm. A performance look turned into spectacle.
Emma Brooks wore a black polka dot dress with bow detail and matching cuffs at The Hollywood Reporter Creators A-List Dinner in Beverly Hills on October 15, 2025.
Emma Brooks stepped into Beverly Hills wrapped in dots. Black fabric scattered with white, bow knotted at the throat, cuffs echoing the same rhythm.
Backdrop blue, logos glaring, the dress holding its own against corporate branding. A look both playful and strict.
It’s melodramatic even. Polka dots too busy, bow too prim, cuffs too strident. Yet together, they carry rhythm. A dinner look turned into spectacle.
Lyliana Wray wore a black crop top and matching bottoms with AshenGrace branding during the December 2025 campaign shoot.
Lyliana Wray in black. Crop top cut sharp, lettering gothic, AshenGrace stamped across fabric. Bottoms echo the same, branding repeated, rhythm insistent.
Background dark, figure lit, skin pale against shadow. A look stripped down, branding louder than garment.
It’s melodramatic even. Logo too strident, silhouette too plain, absence of detail too stark. Yet together, they carry rhythm. A campaign frame turned into spectacle.
