Addison Rae swaps the spotlight for a shadowy backstage moment—where a rumpled robe and a button-down dress become the unexpected stars of her tour diary. Is this the raw, unfiltered side of celebrity fashion we’ve been waiting for?
Ellen von Unwerth has always had a knack for capturing the unguarded, the intimate, the almost off-limits. And in her latest collaboration with Addison Rae, she does it again—this time, framing the pop sensation in a state of backstage undress that feels more like a stolen secret than a staged shoot.
The first image is a masterclass in contrast: Addison, swathed in a plush, oversized robe—its muted taupe fabric draped like a shield against the chaos of tour life. The robe’s texture is rich, almost tactile, its shaggy pile suggesting warmth and comfort. But it’s the second frame that stuns. She stands in a simple, short-sleeved button-down dress, its olive-green hue and utilitarian cut evoking a ‘70s workwear vibe . The dress, cinched at the waist with a self-belt, skims her frame with an effortless ease, its slightly rumpled state hinting at a night already lived in.
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Jenna Ortega doesn’t just play Wednesday Addams—she redefines gothic glamour with every smoky lid and bleached brow, and her latest Who What Wear feature is a masterclass in moody, modern makeup.
There’s something deliciously subversive about Jenna Ortega’s ability to turn the macabre into high fashion. For her September 2025 Who What Wear feature, Ortega—alongside her longtime makeup artist Nirvana Jalalvand —unveils the sinister beauty secrets behind Wednesday Addams’ most dramatic looks yet. This isn’t just makeup; it’s a character study in shadow and subtlety, where every smudge of Pat McGrath’s Dark Star Mascara and swipe of MAC’s Nightmoth lip liner tells a story of gothic grandeur and quiet rebellion.
Ortega’s look in the feature is a study in contrast: a sheer, high-necked black dress with intricate lace detailing , evoking the Victorian gothic aesthetic that’s become synonymous with her Wednesday persona. The fabric clings just enough to suggest structure, yet flows with an ethereal softness—a nod to the character’s duality. The dress, likely a custom piece, is paired with minimal jewelry, letting the makeup and hair take center stage.
Rylee Stumpf trades the runway for the subway—leaning into a polka-dot two-piece that’s equal parts retro pin-up and downtown defiance. Is this the new face of celebrity street style—or just New York’s hottest waiting game?
There’s something deliciously subversive about Rylee Stumpf’s latest photoshoot with Juan Garcia. While most stars reserve their boldest looks for the red carpet , Stumpf—ever the rule-breaker—turns a grimy subway platform into her personal catwalk. The result? A masterclass in how to make public transit look like a Vogue spread.
Stumpf’s ensemble is a study in playful contrast: a polka-dot bralette and high-waisted briefs, both rendered in a classic black-and-white palette. The fabric clings just enough to hint at structure, yet the dots lend a whimsical, almost cartoonish edge. It’s a silhouette that nods to ‘60s mod—think Twiggy meets downtown NYC—but with a modern, streetwise twist.
