Adria Arjona wore a gold Tom Ford halterneck maxi dress paired with Aquazzura Artiste Pumps for the UK screening of The Wrecking Crew in London.
At the London special screening of The Wrecking Crew , Adria Arjona appeared in a look that blended polish with easy confidence. She wore a Tom Ford gold halterneck maxi dress , the liquid‑like metallic knit tracing her frame while catching soft light in waves. The neckline crossed at the chest before folding neatly into a front keyhole cut‑out — bold, but cleanly done.
Her Aquazzura Artiste Pumps peeked smoothly beneath the slit skirt, their black satin finish adding gravity to the shimmer above. No heavy jewelry, no excessive styling — just undone waves and clear skin that kept the gold from feeling costume‑bright. By her side, complementing the look’s warmth, Jason Momoa in mauve corduroy: a curious pairing that worked because it didn’t try.
In the Fashion Verdict , this appearance sits perfectly within Arjona’s refined evolution — strength told through texture, not volume. She wears metallics like conversation — calm, direct, and utterly fluent.
Does this subtle strength in red‑carpet fashion mark the end of over‑styled glamour, or a smarter way of redefining shine?
Kiernan Shipka wore a black lace top with flutter sleeves and a sleek updo for a Free People x Who What Wear photoshoot during Sundance Film Festival 2026.
In a simple studio setup, all cream walls and soft flash, Kiernan Shipka stands quiet and assured. She wears a black lace top with short flutter sleeves , the sheer pattern letting light filter gently through the floral weave. The neckline sits close, modest, but the texture carries all the allure her expression doesn’t need to force.
Her hair is tied into a loose updo , tendrils escaping along the jawline — a look that feels half finished and entirely perfect for it. Makeup is natural: warm skin, flushed tones, and a clean sweep of eyeliner framing pale green eyes. Nothing about it shouts; everything about it holds.
Ruby Marino wore a cropped top in warm camel tones and relaxed denim jeans while attending the Sundance Film Festival premiere in Park City on January 25, 2026.
Stepping into the soft‑lit room of the Sundance Film Festival , Ruby Marino kept things understated and effortlessly current. She wore a fitted camel‑tone cardigan top , cropped slightly above the waist, paired with light‑wash denim jeans that pooled gently over the tops of her tan boots . The casual pairing blended warmth with familiarity — nothing overthought, nothing forced.
Beside her, a simple smile and weekend hair — straight, loose, no sign of pretense. The cohesive look reflected a festival mood that values reality over red‑carpet gloss. In the bright setting of Park City’s panel spaces, where daily style balances with cold mountain air, it made sense.
