Adria Arjona wore a sleek black sheer dress while Jason Momoa paired a velvet plum suit with his signature necklace at The Wrecking Crew premiere.
At the Wrecking Crew New York screening, Adria Arjona and Jason Momoa arrived together with the kind of synced but easy energy that looks less choreographed, more natural. Arjona’s black gown walked that fine line between elegance and risk — a mix of opaque and sheer panels that softened what could’ve been stark. The design clung neatly through the torso, with a fluid drop into a slight train. It’s sheer, yes, but not overt. Subtle transparency, not exhibition.
Her hair , all soft waves, fell over one shoulder with a natural shine, parted loose and low-maintenance — the “done but free” school of red carpet hair. Makeup stayed minimal: bronze skin, nude lip, defined eyes. It’s quietly confident, more about harmony than headline.
Beside her, Momoa grounded the visual story with a deep plum velvet suit , unstructured yet tailored enough to hold form. Brown boots , warm against the purple, gave the look a grounded weight. He layered on a lei niho palaoa necklace — the traditional Hawaiian piece — worn over his shirt, a gesture that feels more about identity than styling. It resists aesthetic rules, but that’s exactly the point.
As dual premieres go, the contrast worked perfectly: her sleek black minimalism beside his textured boldness. Together, they presented a balance of warmth and control — cohesive without matching. It gives “couple coordination” an edge that feels real, accidental even.
Arjona’s dress sells restraint disguised as allure. Momoa’s suit counters with tactile depth and cultural grounding. Each outfit, distinct, but connected through tone and presence. They’re a pair who make equilibrium look effortless — and probably don’t even plan it.
The Wrecking Crew , directed by Ángel Manuel Soto, blends high-octane action with brotherly chaos. The film stars Jason Momoa as Jonny and Dave Bautista as James, estranged half-brothers forced back together by the mysterious death of their father. As they dig into his past, old grudges resurface, secrets fracture alliances, and the family’s fate teeters between revenge and reconciliation. Set across Hawaii’s urban sprawl, the movie balances beating-heart humor with grit — a brawler’s family drama disguised as an action comedy.
The ensemble cast includes Claes Bang, Jacob Batalon, Stephen Root, and Morena Baccarin, along with Temuera Morrison and Frankie Adams. The tone lands somewhere between Fast & Furious -style energy and emotional reckoning — relationships, roots, and wreckage all wound up in one.
Camila Morrone appears in Glamour Spain’s January 2026 issue, styled across multiple outfits with vintage textures and modern contrasts.
The January 2026 edition of Glamour Spain places Camila Morrone in a sequence of looks that feel less like staged glamour and more like fragments of lived-in spaces.
One cover frame shows her reclining on a textured armchair, lace dress in white, floral patterns scattered, arms resting behind her head. The wall behind is worn, chipped, almost careless. It makes the dress sharper, less romantic, more grounded.
Another shot moves outdoors, a burgundy oversized sweatshirt paired with a gradient pencil skirt. Socks sheer, heels pointed. The door behind is heavy wood, stone column beside it. Casual top against formal bottom–it’s a clash, but deliberate.
Then indoors again. A black backless dress with ruffled detailing, brown leather shoes. She leans back, eyes closed, hair falling. Rustic wall, fireplace in shadow. The elegance of the garment against the aged setting feels like contradiction, but also harmony.
A studio frame shifts tone. Light blue vinyl-like dress, glossy, long-sleeved, collared. Black heels. White backdrop, visible lighting stand. It’s clinical, almost too clean, but the futuristic fabric keeps it interesting.
Finally, a softer image. Satin dress in pale blue, halter neckline, floral patterns faint. Wooden bench, distressed wall behind. The mood is quiet, contemplative, almost fragile.
Brooks Nader wore a gray faux fur jacket with sleek black leggings and pointed heels while leaving the Infinite Icon after-party in Los Angeles.
Paparazzi flash catches movement — not the usual red carpet pose but a stumble mid-laugh. Brooks Nader throws her arms out, half-balancing in sharp black heeled boots , a moment that feels more human than haute. She’s dressed in a plush gray faux-fur jacket over a black fitted top and opaque leggings , a uniform of sleek monochrome warmth cut through with texture.
The fur’s dense, soft pile and the tightness of the leggings make the contrast work — cozy meets kinetic. Her small rectangular sunglasses stay fixed even as her posture slips, an unintentional testament to balance (and commitment to the look). Hair’s pulled up casually, strands loose enough to catch motion blur, an echo of nightlife energy that’s already fraying at the edges.
