Adriana Lima appears in Vogue Adria Winter 2026, photographed in multiple looks that highlight elegance, texture, and artistic contrasts.
Winter 2026. Adriana Lima against a pale pink backdrop, dress cream, off-shoulder, asymmetrical. Draped top, waist cutout, slit high. Hair slicked back, makeup subtle. The look feels polished, minimalist, almost architectural in its clean lines.
Another frame: backdrop textured, blue-gray fabric. Dress white, off-shoulder again, ruched front, bows tied at hips. Neckline deep, silhouette fitted. Hair long, wavy, gaze turned slightly. The outfit softer, more romantic, but still deliberate.
Third frame: standing on a white sphere, sheer black outfit, waist wrapped with textured accessory. Pose artistic, one arm raised, body balanced. The setting minimal, gray floor, light background. The look feels experimental, almost sculptural.
Final frame: canvas behind, strokes blue, paint gestural. Top white with blue accents at shoulders, bottoms black. Hands covered in paint, palms open. The image blends fashion with performance, body and canvas merging.
Phoebe Dynevor wore a black halter gown with a front cutout and sleek bun at the Bvlgari Eternal Vimini rooftop party.
At Bvlgari’s Eternal Vimini rooftop event in Los Angeles, Phoebe Dynevor appeared in a look that defines cool minimalism. There’s nothing excessive here–just one clean line after another. The black halter gown hugs close through the waist and drops straight down, its front slit keyhole cutout turning restraint into punctuation. No dramatic train. No shimmer. Just architectural precision softened by skin and light.
Sophie Turner wore a soft brown sweater with sleek blonde waves and minimal makeup for her Los Angeles Times January 2026 feature.
In her Los Angeles Times January 2026 feature, Sophie Turner gives the camera the kind of quiet gaze that makes you lean in. The photo catches her mid-lean too–head tilted, resting lightly on her knee–where softness feels like armor. She wears a brown knit sweater , cozy but structured, the texture almost absorbing the light. Her hair : long blonde waves, parted cleanly, moving lazily over her shoulders.
The makeup is near invisible, building from subtle brow shading and muted brown lips . Her skin appears untouched–no gloss, no fanfare–just a natural glow that matches the sweater’s tone. There’s a layer of intimacy in the composition: she’s close to the frame, almost conversational; it’s beauty without punctuation, the kind that thrives on restraint.
