Aggy K. Adams wore three contrasting outfits for Cellotape Magazine July 2025, mixing romantic red lace, tailored plaid, and casual denim styling.
Aggy K. Adams fronts Cellotape Magazine July 2025 with three looks that couldn’t be more different.
First: a red mini dress trimmed with lace, layered under an oversized black leather jacket . Paired with white lace tights and white heels tied with bows. Sunglasses, long hair with bangs. If you ask me, the jacket does all the work here — it turns sweetness into edge.
Second: a gray herringbone blazer with structured shoulders, matched to a pleated plaid skirt trimmed with lace. Rings stacked across both hands, short tousled hair. It’s sharp, patterned, almost too strident, but that’s the point. I’ll say it — the blazer and skirt together feel like a fashion photoshoot idea that leans into clash.
Third: a sleeveless denim dress with frayed hem, belted waist, styled with white socks and red strappy heels . Legs raised, crossed. Casual fabric against playful footwear. The best part? The socks — they make the whole thing feel lived‑in, not polished.
Together, the three outfits show range: romantic, tailored, casual. What I love is that none of them chase perfection. They’re messy, styled, and that’s why they stick.
Closing thought: the denim dress with socks and heels is the one that lingers — like a half‑finished thought, awkward but unforgettable.
Aggy K. Adams wore three contrasting outfits for Vestal Magazine November 2025, mixing lace vintage drama, burgundy shine, and flowing patterned black.
Aggy K. Adams fronts Vestal Magazine November 2025 with three looks that feel like snapshots from different worlds.
First: a cream lace dress with ruffled chest and flared sleeves, paired with black lace tights and pointed heels . High neckline, vintage energy. Walking against a city wall, it’s ornate but dropped into everyday grit. If you ask me, the tights keep it from floating away into costume.
Second: a dark burgundy dress in shiny fabric, crouched pose, hair falling across the face. Styled with red fishnet stockings and open‑toe shoes . It’s moody, almost melodramatic. I’ll say it — the stockings are the sharpest detail here, they cut through the gloss.
Third: a flowing black outfit patterned with feather‑like designs, sheer sleeves, ruffled hem. Arms extended, fabric billowing. It’s theatrical, but not in a polished way. The best part? The movement — it looks like the clothes are alive, not posed.
Together, the three outfits show range: vintage lace, burgundy shine, patterned black drama. What I love is that none of them chase glamour. They’re imperfect, lived‑in, and that’s why they stick.
Closing thought: the lace dress on the street is the one that lingers — like a relic dropped in the wrong decade, awkward but unforgettable.
Kendall Jenner wore The Row’s trench coat and jeans while shopping at Galerie Half on Melrose Boulevard in Los Angeles on February 6, 2026.
Kendall Jenner makes beige look sharp — not everyone can say the same. On February 6, 2026, the model was photographed leaving Galerie Half on Melrose in an outfit that whispered wealth louder than most red carpet gowns shout.
She wore The Row’s Riku Cotton Trench Coat , sleeves slightly long, collar unpopped, fabric moving like air. No cinching. No buttons fussed with. It hangs open — intentionally — to reveal a whisper-clean base layer matched with The Row’s Burty Straight-Leg Jeans , perfectly white and weighty.
Now the detail that matters: under the coat is the Maison Magdalena Brisa Scarf , long, fringe-heavy, and peeking dead-center through the jeans. It sways like fringe on a silk poncho but lands like a styling sleight of hand. It doesn’t pull focus. It elevates the core neutrals.
The Row’s Eva Slipper in soft black leather finishes the feet — understated, flat, elegant with no drama. Bag of choice? The Row’s Lilou Woven Shoulder Bag , casually thrown over her arm like it woke up there.
Glasses. Slim. Black. Minimal makeup. Hair down — center-parted and honest.
This is what happens when California ease meets New York money. No clickbait color. No logos. Just texture, proportion, and perfect moderation in motion.
