Aimee Carrero wore a golden pleated knit dress and metallic heels to Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Aimee Carrero leaned toward something quietly gleaming. Gold—not bold gold, not dripping gold, but that woven mid-century kind of shimmer that only appears when the light gets in just right. Her dress, a ribbed knit polo mini-dress extended into a midi , held shape from shoulder to hem—cupped close at the top, then allowed to release below the waist into a soft pleated flare. Structured but mellow. Business up top, brunch wedding in the skirt.
The details stayed simple. A tight short sleeve. Three buttons at the collar. No belt. The texture did the talking. That vertical knit on the bodice read like armor disguised as luxury lounge wear. And her accessories followed: gold twisted platform peep-toe heels , coordinating but not trying too hard. Hoop earrings, a small stack of cocktail rings, nothing overplayed.
Hair was tucked casually behind the ear on one side, the rest swept into a balanced low ponytail. Makeup brought it home—cool-toned eyes, soft blush, a lived-in lip. Press-ready but no press-pose energy.
This wasn’t fashion for noise. It was soft strength, told in threads that shimmer but never shout.
Jessica Biel wore a sheer Simkhai top and wide-leg leather pants to the Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Jessica Biel didn’t choose something loud. She chose something layered—quiet tension dressed in near-transparency and thick grainy leather. The top? Simkhai’s Feyre —a gauzy black organza shell that floats above a strappy tank, gathered tight at the neck and letting the shoulders play loose. It looks like it breathes on its own. Doesn’t cling. Doesn’t care to.
The Simkhai Waldon Pants underneath ground everything. Deep espresso brown leather with a true-matte finish. No shine. No croc texture. Just leather, wide through the leg, pooling just enough at her black pointed-toe shoes to say she doesn’t need precise hemming to pull something off. Five-pocket styling. Belt loops still visible. Very intentional unpolish.
Jewelry? Minimal. No necklace—would’ve fought the collar. Simple rings. Hair loose, softly waved. Makeup neutral, but skin-forward. You get the sense her glam team knew the lighting in this room wouldn’t be forgiving—and styled based on reality , not fantasy.
This wasn’t a look for the back row or the post-roundtable photoset. It was for showing up and being looked at. No commentary needed.
Ali Larter wore a textured black mini dress and sleek ankle-strap heels to SCAD TVfest in Atlanta on February 4, 2026.
At the 14th SCAD TVfest in Atlanta on February 4, 2026 , Ali Larter pulled a move as classic as it gets: little black dress, minimal styling, and just enough texture to make it feel present-tense. The event appearance was in part a celebration—she received an award—and her wardrobe met the moment with clarity, not flash. Her dress? A fitted, flared black mini with rich surface texture, possibly boucle or tight chenille knit. Not glossy. No cutouts. No tricks. Just shape.
The neckline sits square and balanced across the chest, framing her collarbone without plunging or crowding. Sleeveless. Bare shoulders. That subtle shift between day-event ease and cocktail-hour formality. On her feet, classic black ankle-strap stilettos , patent gloss with sharp toes that matched the mood—not too trendy, not retro. Jewelry was minimal: clean drop earrings, classic rings, nothing yelling for attention.
Hair long. Pulled forward and slightly curled at the ends, with subtle volume at the crown. Her makeup? Soft highlight down the cheek. Neutral lips. Lashes, built out just enough to float in photos.
No gimmicks. Just a woman in a black dress, letting fabric and fit do the talking.
