Aimee Lou Wood wore a strapless cream mini dress with black polka dots and dark tights at W Magazine’s Best Performances Party 2026.
Inside the pink-lit rooms of W Magazine’s Best Performances Party, Aimee Lou Wood leaned against the wall like she was half-posed, half-just there. The look? A strapless cream mini dress , satin maybe, patterned with oversized black polka dots that feel both 60s and slightly ironic now. The fit cinches tight at the waist, folding softly near the hip like the fabric decided to rest for a second.
Black opaque tights ground everything, balancing the flirt of the hemline with something steadier. Minimal accessories–no fuss, just a slim ring, clean nails shaded deep red that match her lipstick almost by accident. Hair worn open, parted down the middle, straight but not strict. The eyes carry a trace of pinkish shimmer, soft around the lids, blending warmth back into her complexion.
Chase Infiniti wore a light-yellow sheer turtleneck dress with a high-slit and white heels at W Magazine’s Best Performances Party 2026.
Against a backdrop of flickering TV screens, Chase Infiniti sits half-turned, legs crossed, all calm electricity. The look is a pale-yellow sheer stretch turtleneck dress , the fabric thin and sharp against light. It clings, then falls–tight through the torso, loose once it hits the thigh, where a deep slit breaks the line. You can see the faint motion of the material catching color from the room–pink carpet, red bedspread, cold blue light off the monitors.
Her hair, dense curls carved by shadow, frames the whole thing beautifully. No over-styled gloss. Just ease. Makeup keeps rhythm with the texture: deep red-brown lips, skin lit softly at the cheekbones, lashes curling upward as if caught mid-breath. And those shoes– white pointed stilettos , ankle-strapped, bright as punctuation at the end of a sentence.
Sydney Sweeney fronts the Armani Beauty Luminous Silk campaign for January 2026, embodying radiant skin and modern minimal makeup in the brand’s signature style.
The new Armani Beauty Luminous Silk campaign finds Sydney Sweeney caught in that impossible between-state–glow and stillness. Her face fills the frame, no tricks, no drama. Bare skin so luminous it looks almost fragile. The foundation’s satin finish isn’t hidden behind editing or excessive shine; it’s real texture, tempered realism.
Her makeup feels deliberate in its restraint. Softly brushed brows, subtle highlight, lips nudged toward rose–not quite color, more suggestion. The eyes, framed by long lashes, catch the light with a clarity that recalls early 2000s beauty ads, when radiance meant intimacy, not gloss. And across the image, folds of sand-colored fabric drift like breath, blurring edges between product shot and portrait.
