Aishwarya Rai Bachchan wore a tailored black suit with matching trousers at the Pink Panther 2 photocall during the 59th Berlinale Film Festival in 2009.
On February 13, 2009, Aishwarya Rai Bachchan posed for photographers at the Pink Panther 2 photocall during the 59th Berlinale Film Festival in Berlin. She opted for a tailored black suit consisting of a fitted blazer and matching trousers, a choice that emphasized clean lines and understated elegance. The monochrome look was paired with minimal accessories, allowing the sharp tailoring to remain the focal point. With her hair styled sleekly and makeup kept refined, Rai projected a sense of poise that aligned with the professional tone of a film photocall rather than the spectacle of a red carpet premiere.
The Berlinale in 2009 was a significant platform for Pink Panther 2 , which premiered out of competition at the festival. The film, starring Steve Martin as Inspector Clouseau, brought together an international cast including Jean Reno, Andy García, and Aishwarya Rai Bachchan, who played criminology expert Sonia Solandres. Her appearance at the photocall underscored her growing presence in global cinema, bridging Bollywood stardom with Hollywood visibility. Choosing a black suit instead of a gown reflected both the businesslike atmosphere of a photocall and her ability to adapt her style to context — a reminder that fashion at film festivals is as much about situational awareness as it is about glamour.
Kirsten Dunst wore a Valentino wool crepe jacket with a contrasting bow and wool mouline trousers at the Roofman gala during BFI London Film Festival 2025.
On October 14, 2025, Kirsten Dunst attended the Roofman Headline Gala at the 69th BFI London Film Festival , held at the Royal Festival Hall in London. She arrived in a Valentino ensemble that redefined red carpet fashion through tailoring rather than gowns. The look featured a red wool crepe wrap‑style jacket with a bold contrasting black bow at the waist, paired with grey plaid wool mouline trousers . The structured silhouette balanced sharpness with playfulness, while the bow detail introduced a note of theatricality. Black pointed‑toe heels and a sleek clutch completed the outfit, underscoring Dunst’s preference for ensembles that merge elegance with individuality.
This appearance reflects a broader shift in red carpet fashion, where tailored separates are increasingly replacing gowns as statements of authority and modernity. By choosing Valentino tailoring, Dunst aligned herself with a house known for its ability to merge classic couture codes with contemporary experimentation. The decision to wear trousers at a headline gala also signals a refusal to conform to traditional red carpet expectations, instead embracing a look that projects confidence and ease.
The event itself carried cultural weight: Roofman , directed by Derek Cianfrance, is a crime drama based on the true story of Jeffrey Manchester, an Army veteran who famously evaded capture by living inside a Toys “R” Us store. The film stars Channing Tatum in the lead role, with Dunst, LaKeith Stanfield, Juno Temple, and Peter Dinklage rounding out the cast. Its premiere at the BFI London Film Festival positioned it as one of the festival’s most talked‑about galas, blending Hollywood star power with a distinctly offbeat narrative.
This ensemble succeeds by leaning into contrasts: the severity of tailored trousers against the whimsy of the oversized bow, the bold red jacket against the muted plaid. The proportions are carefully balanced, ensuring the look reads as deliberate rather than eccentric. If there is a critique, it is that the bow risks overwhelming the clean lines of the suit — but this tension is also what makes the outfit memorable.
The sharp insight here is that Dunst’s appearance demonstrates how red carpet fashion has evolved into a form of narrative authorship: by choosing tailoring over a gown, she reframes the gala look as a declaration of agency rather than ornament. It is a refined presentation, one that situates her as both participant in the film’s cultural moment and commentator on the shifting codes of red carpet style.
Aisha Tyler wore a red off‑shoulder mini dress with voluminous sleeves, a gold necklace, and patterned ankle boots at the MIPCOM Cannes 2025 red carpet.
On October 13, 2025, Aisha Tyler attended the Opening Night Party and red carpet during MIPCOM Cannes at Le Majestic in France, arriving in a look that fused bold color with playful structure. She wore a striking red off‑the‑shoulder mini dress featuring voluminous sleeves and a fitted bodice, its short hemline adding a modern, daring edge to the classic red carpet silhouette. The ensemble was accessorized with a gold necklace that drew attention to the neckline, while black ankle boots with a patterned design introduced a note of irreverence. With her hands tucked into the dress’s pockets, Tyler projected confidence and ease, turning a formal red carpet moment into a statement of personality.
This appearance reflects the ongoing shift in red carpet fashion toward individuality and comfort without sacrificing spectacle. The choice of a mini dress, rather than a floor‑length gown, signals a rejection of rigid formality in favor of playful self‑expression. The voluminous sleeves recall couture drama, while the pockets — a detail often absent from women’s eveningwear — underscore practicality and empowerment. In the broader cultural context of MIPCOM, an event where media and entertainment converge, Tyler’s look resonates as both a fashion statement and a declaration of presence within a global industry.
