Alexandra Daddario wore a strapless navy mini dress with ruffle detail and classic black pumps to the Fall 2009 G-Star RAW show in New York.
At the G-Star RAW Fall 2009 show on February 17 at the Hammerstein Ballroom in New York, Alexandra Daddario stepped into a denim-centric fashion experience in a look that veered feminine, crisp, and charmingly unaffected.
She wore a strapless navy dress , cut just above the knee, with subtle boning in the bodice and lightly gathered volume at the waist. The fabric — matte cotton or a lightweight blend — held its structure without stiffness. No fuss, no corsetry. The standout feature came from the left side: a vertical cluster of tiered ruffles , not dramatic or over-styled, just enough to break the clean line and add movement.
On foot: rounded black pumps with a low-profile platform and flattering curve. Very 2009, in that unshiny, practical way. She paired it all with a black patent leather handbag , small and structured, hanging from her wrist. Jewelry was limited to a thin bangle bracelet and a delicate chain at the collarbone — blink and you’ll miss it.
Her hair? Loose and long. Slight wave, center part, natural. Makeup leaned soft: clear skin, a whisper of blush, and mascara just enough to underline those blue eyes.
Was it a fashion moment? Not exactly. But it served what early New York Fashion Week did best — approachable cool.
Alexandra Daddario wore a strapless emerald green floor-length gown and gold clutch to the “Hall Pass” premiere in Hollywood on February 23, 2011.
At the Hollywood premiere of Hall Pass on February 23, 2011, Alexandra Daddario arrived with the kind of quiet poise you don’t notice until you’re already staring. No glitter. No plunges. Just unfussy confidence wrapped in color.
She wore a strapless emerald green gown , flowing straight to the ground with a subtle sweep behind the heel. The chiffon-like fabric picked up just enough movement to avoid stiffness, falling smoothly over her figure with a gathered bustline and a slightly pleated waist. No sequins, no corsetry. The shape came from stillness and softness, not engineering.
Her accessories were restrained. A small metallic gold clutch in one hand, a single bracelet on the other wrist, and that’s it. No necklace fighting the neckline. Her manicure was clean.
Hair fell down in loose waves — dark, natural, unbrushed in the best way. Liner framed her bright eyes. Lip color stayed neutral. No glossy sheen, just skin… real skin.
Nothing about the look tried to claim “best dressed.” Which is exactly why it held the carpet.
In a sea of try-hard shimmer, Alexandra’s green simply breathed.
Madison Beer wore a Marmar Halim pleated ivory gown with a thigh-high slit and Jimmy Choo heels at the 2026 GRAMMY Pre-Gala.
At the Pre-GRAMMY Gala & Salute to Industry Icons honoring Monte and Avery Lipman on January 31, Madison Beer appeared in a gown that breathed more than it posed. No gimmicks. No sequins. Just shape, light, and skin.
She wore a pleated silk capelet gown by Marmar Halim , soft-structured and ivory-toned, gathered tightly at the waist and released into vertical folds that dropped down with ease. The strapless bodice was folded in semi-sweetheart fashion — nothing too armored, nothing falling. Just firm enough to hold its own against the curve of her frame.
The thigh-high slit was cut high and direct, exposing the full length of her left leg without looking like a challenge. It made room for a pair of Jimmy Choo Rosie MM heeled sandals , tied in a subtle bow detail. A red carpet fashion moment that didn’t scream. It smiled. Slightly.
Hair was worn in classic brushed curls, parted off-center for retro effect — movie premiere, 1964 energy. The makeup: soft rose cheeks, calm nude lip, brushed-up brows. Jewelry included small diamond drops and delicate rings, nothing that pulled you away from the fabric’s movement.
Some dresses talk. Madison’s whispered — and you still leaned in to hear every word.
