Ali Larter wore a metallic tailored suit with pointed black heels at the Armani Beauty Luminous Silk event in Los Angeles 2026.
At the Armani Beauty Luminous Silk celebration in Los Angeles on January 15, 2026 , Ali Larter stood out by leaning full tilt into the precision of tailoring. She wore a structured metallic pantsuit–mid-bronze under warm light–that caught reflections like brushed metal. The jacket, cut deep and lined cleanly through the shoulders, framed a deliberate open neckline; the trousers pooled barely at the ankle, paired with sharp, black suede heels.
The look felt confident but unfussy–no necklace, no sparkle, just the sheen of the fabric doing all the work. Hair slicked back, clean makeup, nothing competing for attention. Around her, low amber lighting and glass fixtures made the suit glow even more. Every detail worked toward restraint, which, paradoxically, created the drama.
Madison Beer appears in PAPER Magazine January 2026, photographed in layered editorial looks that highlight texture, mood, and playful styling.
January 2026. Madison Beer framed by metallic blinds, eyes peeking through, nails long, makeup bold. The cover feels layered, dimensional, almost voyeuristic. A celebrity event look reframed into editorial art.
Her styling here: glossy blinds against skin, manicure sharp, gaze deliberate. The composition pushes intimacy and distance at once. A fashion spread stitched from fragments. A studio portrait leaning into tension rather than glamour.
Another frame: bold nails, glossy textures, blurred figure in the background. The atmosphere cinematic, almost surreal. The critic’s note: Beer’s editorial wasn’t about spectacle. It was about fragments — blinds metallic, nails sharp, gaze steady. A styled shoot reframed into lived-in drama.
Natasha Lyonne wore a diamond-patterned top with a sheer black organza skirt at the Armani Beauty Luminous Silk event in Los Angeles.
At the Armani Beauty celebration in Los Angeles, Natasha Lyonne arrived in something that looked both deliberate and disheveled — like eveningwear stitched too tight to feel soft.
The top half of her look: fitted and geometric, made from a dense black-and-white textile with a subtle diamond grid that sat squarely on the torso. The neckline: sharp-plunging but short, cut into a sculpted dip that anchors the whole structure. Short sleeves, no fluff. This wasn’t playing dress-up.
Below the waist, things got looser — messier, even. She wore an inky sheer black organza skirt, semi-transparent, pooling softly around her legs but revealing everything beneath: pants, boots, the structure holding it all up. It interrupted the formality just enough to call attention. Not traditional elegance. Too ghosted for that. But poetic in its own way, like a x-ray of an outfit.
