Ali Larter arrived at the Paramount+ Landman Season 2 premiere in a reflective silver one‑sleeve gown that read futuristic and red‑carpet ready under New York lights.
On November 11, 2025, Ali Larter attended the Paramount+ premiere for Landman Season 2 at Alice Tully Hall, Lincoln Center, stepping onto the carpet in a striking metallic silver gown. The one‑sleeve silhouette caught and reflected light, creating a cinematic, almost futuristic sheen that made the outfit read like an intentional statement piece for a high‑profile television launch.
Gown: A floor‑length, metallic silver dress with a single sleeve; the fabric’s high‑reflectance finish amplifies movement and produces strong highlights under event lighting.
Silhouette: The one‑sleeve cut creates asymmetric interest, balancing covered structure with exposed armline for both drama and modernity.
Accessories & Styling: Minimal visible jewelry and a sleek styling approach let the gown dominate; hair and makeup are calibrated to complement the dress’ reflective properties rather than compete with them.
Red‑Carpet Context: Against a textured backdrop branded for Paramount+ and the premiere, the gown functions as both costume and moment photograph—designed to register on camera and in press frames.
Tinashe performed at Sol de Janeiro’s 2025 Holiday launch in New York wearing a cropped beige jacket, shiny gold top, and ruched white trousers, blending stage polish with streetwise ease.
At Sol de Janeiro’s Holiday Launch in New York on November 11, 2025, Tinashe took the stage in a look that married performance pragmatism with glossy, tropical‑brand glamour. Under marquee lights and in front of a beaded curtain and the brand’s bright signage, she wore a cropped beige jacket layered over a reflective gold top and high‑waisted, ruched white pants—an ensemble designed to read on camera and in motion.
Top layer: A cropped beige jacket introduces soft, neutral structure that balances the outfit and acts as a stage‑ready topper for movement.
Core piece: The shiny gold top provides reflective highlights under stage lights, ensuring Tinashe reads vividly from the house and on camera.
Bottoms and footwear: High‑waisted ruched white pants elongate the leg while adding textural interest; pointed white shoes complete the look with a streamlined finish.
Set and props: A beaded/chained curtain and the bold yellow SOL DE JANEIRO sign frame the performance, turning costume into promotional tableau.
Styling: Minimal visible jewelry and sleek hair allow the metallic and textural contrasts to dominate; makeup is stage‑calibrated for bright lights.
Jessie Buckley fronts ELLE USA’s Women in Hollywood issue in a series of images that toggle between sculptural tailoring, playful schoolgirl edits, and cinematic monochrome drama.
For ELLE USA’s Women in Hollywood issue shot by Nathaniel Goldberg, Jessie Buckley presents a compact wardrobe study that balances theatricality with intimate charm. The sequence moves from polished editorial restraint to exuberant, characterful styling, making the portraits feel both curated and conversational.
Tailored Black Dress with Puff Sleeves A dramatic, voluminous‑sleeved black dress with a square neckline anchors the monochrome portrait. The silhouette reads archival yet modern, using shoulder volume to create a stage‑ready frame that complements Buckley’s short, slicked‑back hair.
Schoolgirl‑Adjacent Editorial Edit A green knit with a contrasting maroon collar paired with a dark pleated pinstripe skirt channels a playful, rebellious prep aesthetic. Fishnet stockings and white high‑heeled shoes introduce a deliberate tension between innocence and subversion; accessories are minimal and pointed.
White Blouse with Red Bow Cover Look The cover image—Jessie in a crisp white blouse topped with an oversized red bow and black tights—functions as the issue’s tonal pivot: theatrical, authoritative, and immediately iconic. The bow reads like an editorial signature, letting minimal makeup and a plain backdrop intensify her presence.
