Ali Larter wore a textured black mini dress and sleek ankle-strap heels to SCAD TVfest in Atlanta on February 4, 2026.
At the 14th SCAD TVfest in Atlanta on February 4, 2026 , Ali Larter pulled a move as classic as it gets: little black dress, minimal styling, and just enough texture to make it feel present-tense. The event appearance was in part a celebration—she received an award—and her wardrobe met the moment with clarity, not flash. Her dress? A fitted, flared black mini with rich surface texture, possibly boucle or tight chenille knit. Not glossy. No cutouts. No tricks. Just shape.
The neckline sits square and balanced across the chest, framing her collarbone without plunging or crowding. Sleeveless. Bare shoulders. That subtle shift between day-event ease and cocktail-hour formality. On her feet, classic black ankle-strap stilettos , patent gloss with sharp toes that matched the mood—not too trendy, not retro. Jewelry was minimal: clean drop earrings, classic rings, nothing yelling for attention.
Hair long. Pulled forward and slightly curled at the ends, with subtle volume at the crown. Her makeup? Soft highlight down the cheek. Neutral lips. Lashes, built out just enough to float in photos.
No gimmicks. Just a woman in a black dress, letting fabric and fit do the talking.
Aimee Carrero wore a golden pleated knit dress and metallic heels to Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026 , Aimee Carrero leaned toward something quietly gleaming. Gold—not bold gold, not dripping gold, but that woven mid-century kind of shimmer that only appears when the light gets in just right. Her dress, a ribbed knit polo mini-dress extended into a midi , held shape from shoulder to hem—cupped close at the top, then allowed to release below the waist into a soft pleated flare. Structured but mellow. Business up top, brunch wedding in the skirt.
The details stayed simple. A tight short sleeve. Three buttons at the collar. No belt. The texture did the talking. That vertical knit on the bodice read like armor disguised as luxury lounge wear. And her accessories followed: gold twisted platform peep-toe heels , coordinating but not trying too hard. Hoop earrings, a small stack of cocktail rings, nothing overplayed.
Hair was tucked casually behind the ear on one side, the rest swept into a balanced low ponytail. Makeup brought it home—cool-toned eyes, soft blush, a lived-in lip. Press-ready but no press-pose energy.
This wasn’t fashion for noise. It was soft strength, told in threads that shimmer but never shout.
Margot Robbie wore a vintage Galliano dress with pearls and slingback pumps to the Wuthering Heights photocall in London on February 4, 2026.
At the Wuthering Heights photocall in London on February 4, 2026 , Margot Robbie didn’t channel a character—she wore the kind of fashion that remembers . A memory of 1992 walked right into the room with her, strapped to her body via a piece of John Galliano vintage that you’d call “romantic decay” if it weren’t still so crisp. Timeless, but far from soft. Stiff bodice. Sharp neckline. The kind of dress with opinions.
She paired it with Manolo Blahnik custom Carolyne slingbacks —no platform, just a pointed grace that keeps the ankle sharp. No competing lines. Accessories stayed precise: she wore Jessica McCormack’s cut-down hoop earrings , diamond-studded and finished with silent pearls that somehow echoed the dress’s strange old-world seriousness. Throw in the Jacques Marie Mage “Burn” sunglasses , and now she’s crossing the uncanny valley between English ghost story and Los Angeles runway.
A soft blowout, curve tucked behind one ear just far enough to flash the earring. Dark manicure. No necklace—because that neckline needed the quiet. And when she raised her hand to swipe at the light? You caught the Jessica McCormack bespoke daisy ring , ruby centered, glinting exactly once and never again.
It wasn’t loud. It was deliberate. This was not Margot Robbie in costume—it was a woman in command of aesthetic time travel.
