Alicia Silverstone wore a tailored black blazer-dress with sheer tights and minimal jewelry at the Universal Pictures Golden Globes Celebration 2026.
Inside Beverly Hills’ Dante lounge, Alicia Silverstone leans against a velvet booth wrapped in soft candlelight–no fuss, no overstated pose. She wears a black double-breasted blazer-dress , slightly oversized and rolled at the cuffs, paired with sheer black tights and pointed heels. A look that’s less “party glam” and more precision with purpose.
The tailoring sits clean on her frame–broad shoulders balanced against straight lines, each button glinting just enough under the dim light. A thin diamond necklace cuts quietly through the simplicity, echoed by a few delicate bracelets. Her blonde hair drapes loose and smooth, one side tucked back to show faint shimmer at the cheekbone. The makeup keeps close to her natural tones: neutral lip, defined lashes, skin that looks alive rather than glazed.
Sofia Boutella appears in the January 2026 Lower Gulf edition of Marie Claire Arabia, photographed in two contrasting outfits that highlight motion, structure, and modern edge.
January 2026. Sofia Boutella on the rooftop, sky clear, mountains faint in the distance. A textured white outfit, fabric flowing, catching light. The cover headline reads “In Motion,” and it fits. The look is airy, almost weightless, yet sharp in its cut.
Another frame, another rhythm. Platinum hair cropped short, oversized dark blazer, wide trousers, white pointed shoes. Pose contemplative, hand to chin, eyes closed. The rooftop again, but mood shifted. Less movement, more stillness. The silhouette bold, heavy, almost architectural.
Her styling here: deliberate contrast. One outfit leaning into softness, fabric drifting, body framed by sky. The other grounded, oversized, blunt. Together they form a fashion spread stitched from opposites. A celebrity photoshoot that resists glamour excess, leaning instead into texture and shape.
The critic’s note: Boutella’s editorial wasn’t about spectacle. It was about fragments — fabric flowing, blazer heavy, shoes pointed. A styled shoot reframed into something tougher, more authentic.
Boutella’s dual looks read as high fashion minimalism with tension. The white outfit carried motion, while the dark blazer ensemble added grit. It’s the interplay between fluidity and structure that makes this magazine cover and editorial resonate as authentic.
Tessa Thompson wore a black sleeveless Balenciaga custom mini dress with a sculpted skirt at Netflix’s Golden Globe Afterparty 2026 in Beverly Hills.
Tessa Thompson at Netflix’s Golden Globe Afterparty, Spago, Beverly Hills, January 11, 2026. She stands in front of the Netflix wall, one hand holding a black clutch, the other relaxed, gaze steady, not a hint of nerves. The dress is Balenciaga Custom –black, sleeveless, with a fitted leather bodice and a wild, sculpted skirt that looks like it’s made of curled ribbons or strips of fabric, all volume and movement. The hem is short, the silhouette bold, the whole thing a little bit punk, a little bit futuristic.
Her hair is long, parted in the middle, loose and wavy. Makeup is soft, a little glow, lips a muted rose, eyes defined but not heavy. Shoes are black, pointed, with sculptural details that echo the skirt–almost like wearable art. No necklace, just a couple of rings and the clutch, which is covered in black embellishments.
This is a look that leans into event appearance energy–playful, sculptural, but never stiff. For those who follow event appearance , it’s a reminder that sometimes the best move is to wear something that makes you want to move. The dress is a conversation starter, the shoes are for stomping, and the attitude is the real accessory.
