An off-the-shoulder silhouette, sculpted lines, and strappy heels — Alicia Vikander’s media event look in London channels quiet power and front row fashion finesse.
Alicia Vikander doesn’t just attend — she arrives with intent. At “The Lady from the Sea” press night at the Bridge Theatre in London, the Oscar-winning actress stepped into the spotlight with a look that whispered elegance and spoke volumes.
Her choice: a black off-the-shoulder dress with a sculpted silhouette that felt both timeless and modern. The neckline — clean, collarbone-baring — framed her shoulders with architectural precision, while the fitted bodice and tailored skirt created a column of quiet strength. The fabric, likely crepe or stretch silk, held its shape with grace, catching the warm ambient light as she moved through the venue.
Accessories were minimal, letting the dress do the talking. Black strappy high-heeled sandals added height and polish, while her hair — pulled back neatly — emphasized the neckline’s geometry. Makeup appeared soft and natural, likely a dewy base with neutral tones and subtle eye definition.
When a sweater becomes a statement—and Julia Roberts wears it with Luca Guadagnino’s face emblazoned across her chest—you know this isn’t just a photoshoot; it’s a manifesto of creative kinship, captured in cotton and charm.
There’s something deliciously subversive about Julia Roberts arriving in Venice not in a ballgown, but in a sweater. Not just any sweater, mind you, but one emblazoned with the face of her After the Hunt director, Luca Guadagnino. It’s the kind of playful audacity that turns a red carpet moment into a cultural wink, a sartorial inside joke between collaborators who clearly adore each other’s company—and each other’s chutzpah.
Roberts’ sweater, a custom white cardigan, is the visual anchor of this spread. It’s cozy yet bold, the kind of piece that feels like a hug from a friend who also happens to be a visionary filmmaker. The garment’s oversized fit and the black-and-white portrait of Guadagnino’s face—smiling, contemplative—transform it into a wearable homage, a fashion-forward love letter to their creative partnership. Paired with rolled sleeves and an effortless, undone elegance, it’s a look that says, “We’re here to have fun, but we’re also here to make you think.”
The surrounding imagery amplifies this mood. In one shot, Roberts leans against a desk, her posture relaxed but her gaze sharp, embodying the balance of warmth and intensity that defines both her and Guadagnino’s work. The set is awash in soft, natural light, evoking the intimate, almost familial atmosphere of a director’s lair—bookshelves, a desk lamp, the tools of a storyteller’s trade. It’s as if the photoshoot itself is an extension of their film: unpretentious, but layered with meaning.
Chloë Sevigny and Ayo Edebiri, Roberts’ co-stars, bring their own distinct energy. Sevigny, in a crisp white shirt and tie, channels the intellectual rigor of her character, Alma, while Edebiri’s navy dress, adorned with sporty white stripes, hints at the youthful dynamism she brings to the project. Their poses—back-to-back, smiling—suggest a camaraderie that feels as authentic as the film’s exploration of friendship and betrayal.
The embedded text from the Variety interview reveals a collaboration fueled by mutual admiration and creative daring. Roberts’ quip about “needing more Julia” on set—referring to Guadagnino’s habit of screening her past films for inspiration—hints at a director who wears his influences on his sleeve, much like Roberts wears his face on hers. The conversation snippets scattered across the pages—playful, introspective, occasionally provocative—mirror the tone of the film itself: a blend of wit, vulnerability, and unapologetic boldness.
Guadagnino’s declaration that Roberts is “an incredible cook” who “does an amazing salmon” feels like a metaphor for her performance: nurturing, but with a bite. Meanwhile, Sevigny’s deadpan humor (“I just wanted more Julia!”) and Edebiri’s awestruck admiration for her co-stars underscore the generational and stylistic range of the cast, a dynamic that the fashion spread mirrors perfectly.
Cultural Insight
This isn’t just a photoshoot; it’s a snapshot of a moment where fashion, film, and friendship collide. The sweater, in all its cheeky glory, calls to mind the tradition of artists wearing their muses—or in this case, their directors—literalizing the idea of creative symbiosis. It’s reminiscent of the surrealist collaborations between Salvador Dalí and Elsa Schiaparelli, where art and clothing became inseparable. But it’s also deeply personal, a testament to the kind of trust and playfulness that can only exist between artists who genuinely respect each other.
The Venice Film Festival, with its history of cinematic grandeur, serves as the perfect backdrop. Roberts, a Hollywood icon, and Guadagnino, a maestro of intimate, character-driven storytelling, subvert expectations by embracing something so delightfully casual. In a world where red carpets are often synonymous with glamorous excess, this sweater feels like a breath of fresh air—a reminder that sometimes, the most powerful statements are the ones that don’t take themselves too seriously.
As the trio stands together on the cover, arms linked, smiles wide, it’s clear that After the Hunt isn’t just a film—it’s a celebration of the alchemy that happens when great minds (and great styles) collide. And if a sweater can spark this much conversation, imagine what the movie will do.
A navy jacket, patterned tote, and relaxed tailoring — Jessica Alba’s everyday outfit in SoHo blends urban fashion with effortless style and quiet luxury.
Jessica Alba’s SoHo stroll on September 18, 2025, was a masterclass in understated street style — proof that quiet luxury doesn’t need a logo to speak volumes.
Her look began with a navy blue jacket — tailored yet relaxed, the kind of piece that anchors a wardrobe without demanding attention. Paired with soft gray pants in a straight-leg cut, the silhouette was utilitarian but elevated, offering movement and ease. Black shoes grounded the outfit with minimalist polish.
But the standout detail? A large patterned handbag in cream, black, and maroon — intricate, tapestry-like, and unmistakably artisanal. It added texture and narrative, evoking the kind of craftsmanship found in Marrakesh souks or Brooklyn boutiques. In her other hand, a purple and white striped cloth (perhaps a towel or scarf) added a casual, almost improvisational layer — a reminder that real-life style isn’t always curated, but often instinctive.
Her hair — long, wavy, and natural — framed the look with softness. Glasses added a cerebral touch, while the absence of overt makeup suggested confidence in simplicity. Captured mid-stride on a cobblestone street, Alba’s presence felt quietly commanding — the kind of celebrity spotted moment that blends seamlessly into the city’s rhythm.
Is it just a tote or a textile manifesto? — either way, Jessica’s celebrity street style moment deserves a second look.
