Alison Brie wore a red off-shoulder crochet dress with a floral handbag at NEON’s Golden Globes Afterparty in Los Angeles 2026.
Inside NEON’s low-lit afterparty for the Golden Globes, Alison Brie stands out not by noise but by color. The red on her feels vivid and unbothered–an off-shoulder crochet dress that hugs without shouting. There’s warmth in it, maybe because the knit texture softens the edges usually sharpened by eveningwear. It’s an easy kind of confidence, almost domestic but still deliberate.
The bag she carries is small, metallic gold with embroidered red blooms, playful in a literal way, a wink at her dress’s hue. Hair loose, long, slightly tousled–fringe brushing her eyes. No visible jewelry beyond subtle shine; maybe she didn’t need it. The man beside her (unnamed here) in a clean black suit and tee–his simplicity seems chosen to let her brightness anchor the pair.
Kaia Gerber wore a Givenchy Draped Wool Dress and carried a Givenchy Mini Pinch Leather Bag at W Magazine’s Best Performances Party 2026.
At W Magazine’s Best Performances Party in Los Angeles, Kaia Gerber stands pressed lightly against a wall of portraits–calm face, no visible nerves, unhurried. The Givenchy Draped Wool Dress dips deep at the front, halter-cut, folds falling in sculpted rhythm. There’s structure hidden under that ease. Black on black, the kind of choice that doesn’t need to sparkle to feel expensive. It sits clean against her frame, architectural but still soft.
In her hand, the Givenchy Mini Pinch Bag in Leather , small and tight as punctuation. Accessories quiet, shoes black and sharp, hair laid open down the shoulders–cool and unsentimental. The pink carpet around her adds an accidental irony: the hard minimalist dress breathing against candy colors.
There’s something late-90s about the look’s clarity, echoing fashion’s current nostalgia for discipline after too much noise. Givenchy’s tailoring speaks fluently in this language–draped precision as mood. Kaia carries that line with restraint, not swagger.
This outfit doesn’t try to seduce; it edits. And maybe that’s the point: beauty as control, simplicity as the final flex.
Emilia Jones wore a Dolce & Gabbana A-Line Bib Dress with Swarovski Stones Embroidery at the W Magazine Best Performances Party 2026.
At W Magazine’s Annual Best Performances Party in Los Angeles, Emilia Jones stepped into view wearing the Dolce & Gabbana A-Line Bib Dress with Swarovski Stones Embroidery . The cut–sharp yet curved in its outline–sits somewhere between prim and ironic. Without the image, one imagines light catching thousands of tiny crystals, a quiet shimmer rather than a loud announcement. It feels deliberate, almost studious in restraint.
What that choice says: a young actor aware of heritage. Dolce & Gabbana’s bib dress is a nod to classic Catholic tailoring–modesty embroidered into excess. That tension, faith and glamour stitched together, still defines the house. Jones letting that duality speak at an “awards-season” gathering reads as thoughtful: the humility costume, worn knowingly.
In the current mood of half-ironic coquettish dressing, this piece fits right in. Everywhere, a return to structure over ease. Sequins swapped for crystal logic. Minimal spectacle; maximum intention. She doesn’t chase attention–she curates distance. The effect is cleaner, maybe a touch severe, but memorable because it resists the usual party dazzle.
The look suggests a shifting appetite in young Hollywood for control rather than chaos–precision where former generations preferred improvisation.
That’s perhaps why this ensemble lands with weight: quiet armor under bright lights, impeccable and unsmiling. Then she turns, and the embroidery does all the talking.
