Alison Oliver appears in Elle UK’s January 2026 issue, styled in three contrasting outfits that balance softness and edge.
Elle UK’s January 2026 issue places Alison Oliver in three distinct frames. One shot has her barefoot, gray dress knotted at the waist, fabric folding into sculptural volume. The neckline drapes unevenly, shoulders softened, silver jewelry catching light. The pose is loose, almost joyful, as if she’s moving mid-laugh.
Another frame shifts tone. She stands in profile, garment made of feathery strands in muted beige and brown. Hair pinned up, gold hoops and bracelet steady the look. Hands clasped near her chin, a small tattoo visible on her arm. It feels quieter, more composed, like she’s holding something back.
The third image pulls her down to the floor. A backless champagne dress, tied at the spine, fabric crinkled and imperfect. She crouches, hair pinned, gold earrings and rings glinting. The posture is deliberate, but not stiff. It’s a pose that feels both vulnerable and strong, like she’s testing balance.
Together, the spread doesn’t chase glamour. It lets texture, posture, and small details carry the mood. Oliver moves between softness, restraint, and edge without forcing connection.
Lili Reinhart wore a croc‑embossed black trench coat from Patou Fall 2025 while attending the brand’s Menswear Fall/Winter 2026‑2027 show in Paris.
Outside the Patou Menswear Fall/Winter 2026‑2027 show during Paris Fashion Week , Lili Reinhart looked sharp and centered — the kind of confidence that moves quietly but registers instantly. She wore a long, structured black trench coat from Patou Fall 2025 , its croc‑embossed texture caught by the gray daylight. The exaggerated lapels and belted waist created clean geometry, modern but not severe. Below, black pointed heels finished the line without stealing focus.
Hair pulled back, makeup minimal, she let the coat do the talking. It’s a look that acts somewhere between vintage mystery and industrial polish — the sort of feminine armor that treats tailoring as statement rather than shield.
Chase Sui Wonders wore a striped scarf and fur‑textured jacket for an editorial portrait by Emily Soto at the Who What Wear Sundance Studio.
A flash. A grin sharp enough to feel unscripted. Chase Sui Wonders leans into the moment, wrapped in a faux‑fur jacket streaked with sepia tones and leather inserts — lighting hitting the plush texture until it almost hums. Beneath it, a striped scarf adds its own pulse of rhythm, black and cream bands cutting through the softness. Nothing extravagant here — just playfulness caught mid‑beat.
Her hair pulled back. Eyes gleaming under plain light. It’s a small portrait but one that vibrates with warmth, thanks to the handmade imperfection of Emily Soto’s lens. The styling feels comfortable, more indie‑film than fashion campaign, yet the tactile clash of fur and stripe gives it cinematic weight.
