Alison Oliver wore a pale pink satin gown with crystal bows to the Wuthering Heights film premiere in London on February 5, 2026.
There’s a particular kind of charm that doesn’t need to be loud — and Alison Oliver brought exactly that energy to the Wuthering Heights film premiere in London on February 5. Sweet, pale, and perfectly measured.
She wore a pale pink satin gown with a fitted column silhouette. The bodice? Softly structured with visible bonded seam lines , giving the shape a corset feel without the rigidity. But the real centerpiece: a trio of crystal-trimmed satin bows running straight down the front — delicate but very much not decorative filler. That’s the look. The bows are the story.
Tiny straps meet off-the-shoulder lace-trimmed sleeves , like the dress can’t fully decide if it wants to be antique or 2000s prom-core, so it splits the difference — and it works. The lace is fine, dusty-looking even, but holds its place quietly. Same with the accessories: a few slim bracelets, delicate earrings, nothing too shiny, nothing pulling away from the gown. She’s not competing with the dress.
Hair left down in a basic center part. Makeup is minimal — slight shadow, a cool-toned lip, nothing trying to contour its way into drama. It’s that very specific kind of red carpet restraint that reads thoughtful, not underdressed.
This gown works because it doesn’t try to be fashion-forward. It leans into being storybook . The kind of thing you’d wear if your name was embroidered inside the cover of the film.
Chantel Jeffries wore a bold red Saint Laurent halterneck jumpsuit with an Oura Ring Gen3 at the 2026 Fanatics Super Bowl Party.
If you ask me, red on the red carpet takes real confidence, and Chantel Jeffries didn’t hold back at the Fanatics Super Bowl Party in San Francisco. She went for something daring but controlled — a Saint Laurent halterneck jumpsuit in a saturated, almost signal‑flare red that’s impossible to ignore.
The cut is classic Saint Laurent: sharp lines meeting body-conscious tailoring. The deep halter plunge and center ring cut‑out create a balance between bold and sculpted, while the stretch fabric hugs smoothly without leaning costume. The fit at the waist is relaxed just enough to keep it from feeling too engineered. She paired it with sleek black knee‑high boots — a practical move that grounds the intensity of the color.
Jewelry stayed restrained: the Oura Ring Gen3 in Heritage Silver catches just a flash of light, a tech‑meets-fashion detail that fits her usual low‑key futuristic vibe. Hair down, parted center, slightly undone — it keeps the whole look real, not red‑carpet stiff. If you ask me, the boots make it: they give the whole look grip, literally and stylistically.
For an event appearance like this, it’s a smart call — enough glamour for the cameras but still party‑floor friendly. The color pops under bright lighting, and the silhouette hits the sweet spot between daring and wearable.
I think this is her signature lane: confident, clean, and a little bit calculated — in the best possible way.
Reese Witherspoon wore a brown Yves Salomon fur jacket and black trousers while out in snowy New York City on February 6, 2026.
Not all winterwear screams. Some just steps casually into frame and owns it. Reese Witherspoon , for example, in New York this week—fully bundled but distinctly unfazed.
She wore a cropped Yves Salomon fur jacket in rich brown, which looks like it hasn’t touched a subway turnstile in its lifetime. It’s voluminous but not theatrical, and it hangs just long enough to suggest warmth, not heaviness. Underneath: a slim black turtleneck , classic layering move, zero fuss. The contrast grounds the fur without clashing with it.
The pants are wide-leg black trousers, loosely tailored with that very specific type of puddling near the shoes that only works when you don’t try too hard. And speaking of the shoes — barely visible black platform boots peeking from beneath the hem — flat enough for real walking, thick-soled enough to handle melting city sludge.
Accessories? Sharp. Rectangular black sunglasses , clean lines. A structured black leather shoulder bag , chain strap tucked under her arm with the kind of nonchalance only possible when you’re both rich and cold. Hair down, but flattened at the roots — January in Manhattan weather always wins eventually.
This is the kind of celebrity street style that whispers instead of shouts. It works because all the pieces are solid solo, but together they read curated without being performative. There’s no attempt to look young. Or edgy. Just pulled-together and warm.
Final take? This is what a $11K coat looks like when you’re not trying to make it look like $11K.
