Alix Earle wore a vintage leather jacket over a white mini dress for the Madden Bowl presented by EA SPORTS in San Francisco.
Sometimes the simplest outfits are the most effective. For her public appearance at the Madden Bowl presented by SUPER BOWL EA SPORTS in San Francisco on February 06, 2026, Alix Earle showed exactly how to make a classic combo feel fresh. The whole look is a great example of smart celebrity style .
The foundation is a simple white mini dress , but it’s the details that count. It features a clean, straight neckline and a delicate scalloped lace trim at the hem, which adds a soft touch. But if you ask me, the entire outfit hinges on the jacket . She opted for a Rebalance Vintage 80S Grey & Burgundy Leather Biker Jacket , wearing the pale grey leather piece unbuttoned to give the feminine dress a necessary edge. The structure of the biker jacket instantly makes the simple dress feel more intentional and cool.
For accessories, she kept things sharp and coordinated. The shoes are white Jimmy Choo Brigitte Patent Leather Mules , a modern choice with their sleek peep-toe design that works perfectly with the length of the dress . Though not seen in this shot, the look was completed with a Gucci Jackie Slim Small Shoulder Bag , adding another classic element to the mix. A simple diamond choker finishes it off without pulling focus.
Here’s why this works so well: the monochrome palette of white and pale grey is incredibly chic. It forces you to pay attention to the different textures—the smooth leather of the jacket against the soft lace of the dress . It’s effortless but looks expensive.
To sum it up: a lesson in smart layering.
Vittoria Ceretti wore a striking white gown with a high neck while carrying the Italian flag during the Milano Cortina 2026 Winter Olympics.
Now this is a fashion moment with some weight behind it. During the opening ceremony of the Milano Cortina 2026 Winter Olympics at San Siro Stadium , model Vittoria Ceretti had the honor of carrying the Italian flag, and her outfit was fittingly dramatic for the occasion.
She wore a floor-length gown in an ivory white . The design was all about structure and clean lines. The bodice featured a high, funnel neckline and long sleeves that flared slightly at the wrist, giving it a powerful, almost architectural feel. From the waist, the skirt flowed out into a full A-line shape, creating a seriously elegant silhouette against the stark, modern stage. The fabric, a heavy satin , caught the light beautifully.
What I love about this is its restraint. For such a major public appearance , they could have gone with something flashy, but this feels more profound. The starkness of the white gown against the bright green and red of the folded flag she carries is just visually perfect. It’s a very modern take on ceremonial dressing.
This wasn’t a typical celebrity event look ; it was part of a larger spectacle. Another model walked nearby in a vibrant green suit, creating a stark, artistic contrast. The whole scene felt more like performance art than a simple walk.
It’s a look that’s both memorable and respectful of the moment.
Kerri Kenney-Silver wore a strapless black midi gown with clustered black sequins at the 2026 DGA Awards in Santa Barbara.
Kerri Kenney-Silver arrived at the 78th Annual Directors Guild Awards with a kind of minimalist ease that doesn’t try to compete with noise — it just stays in its own sharp lane.
She wore a strapless black midi dress , column-cut and structured, with five oversized clustered black sequin appliqués dotted around the front of the fabric. They weren’t symmetrical, and they weren’t trying to be. The placement worked precisely because it didn’t feel over-controlled. Some floated at the thigh. One sat off-center across the bust. The rest sprinkled in between like punctuation marks.
The dress was matte and clean everywhere else, which let the sequins do all the light catching. The fabric hit just above the ankle, clean hem, no train, no excess. The fit was soft through the waist — not cinched, not baggy. Just cool.
She paired it with patent black pointed-toe heels , simple and sharp. Accessories left quiet — no necklace, no distracting bag, no belt. Her blonde bob was blunt, controlled, with bangs that curved like exclamation points. And there was a slight pop of red on the lip. Just enough.
In a room full of exaggerated volume and sparkle, this was the kind of red carpet fashion that earns a second look — not because it’s loud, but because it’s edited.
Final punchline? She didn’t need ten layers of styling. Just five sequins, placed perfectly.
