Allison Williams wore a series of editorial looks—including a pink gown, a white lace dress, and a sculptural red piece—for Dujour Magazine October 2025.
For the October 2025 issue of Dujour Magazine , Allison Williams was photographed in a trio of striking editorial ensembles, each staged against a dramatically different backdrop to emphasize her versatility as both actress and fashion muse.
- In one portrait, she wore a shimmering pink gown with thin straps and a draped neckline , styled with loose waves and dangling earrings. The bold geometric backdrop of burgundy, cream, and black stripes amplified the gown’s fluidity, creating a dialogue between softness and structure.
- Another image featured Williams in a long‑sleeved white lace dress with ruffled details , her auburn hair cascading in waves. The serene, light‑toned background and gentle pose emphasized delicacy and restraint, situating the look within a lineage of romantic couture.
- The most avant‑garde moment came on a rooftop, where she wore a sculptural red dress with exaggerated, voluminous forms at the shoulders and hips. Standing on a circular platform against the city skyline, she embodied fashion as performance art, the dress resembling inflated architecture more than conventional couture.
Lili Reinhart wore a De La Vali Mistica Floral-Print Silk-Chiffon Midi Dress for her Today show taping in New York City in October 2025.
Lili Reinhart arrived for a taping of the Today show in New York on October 16, 2025 , presenting a highly controlled expression of dark romanticism ideal for media appearances. The centerpiece of the ensemble was the De La Vali Mistica Floral-Print Silk-Chiffon Midi Dress , a design that expertly balances lightness and drama. Crafted from sheer silk-chiffon, the black dress features a vibrant print of yellow and lime-green florals with an asymmetric, softly ruffled hemline. This floaty movement was grounded by a sophisticated, matched choker tied at the neck, which added a tailored, contemporary edge to the deep V-neck silhouette.
The outfit was completed with essential, precise accessories. Reinhart stepped into Giuseppe Zanotti’s Audrinette sandals , a barely-there silhouette of black patent leather that provided elevation without visual weight, maintaining the dresses delicate air. For jewelry, she opted for subtle yet luxurious sparkle with Logan Hollowell Reverse Water Drop Diamond Hoops , which offered a minimalist counterpoint to the audacious print.
The aesthetic choice of a dark, almost moody floral print for a morning talk show appearance is culturally significant. This look functions as a stylistic bridge, connecting the bright, public-facing celebrity world with the complex, emotionally charged narrative of her current project. Reinharts appearance was part of her promotional efforts for her new Mubi series, “Hal & Harper,” which delves into themes of grief and family codependency. The Archeologist notes the deliberate juxtaposition: the airy, delicate silk-chiffon speaks to her established, feminine style, while the black background and deep tones subtly echo the series emotional complexity, a clever form of sartorial method acting. This is a quiet, visual testament to an artist prioritizing depth over purely aesthetic appeal.
The ensemble is a lesson in proportional finesse and controlled texture. The De La Vali Mistica Dress embraces the contemporary preference for the dark floral trend, a necessary antidote to expected seasonal palettes. The use of sheer chiffon allows the movement of the fabric and the subtle shimmer of the floral print to become the focal point, while the matching neck scarf is a sophisticated styling move that elevates the casual appeal of the slip-dress silhouette into something far more refined.
Critically, the combination of the dresses ruffles, asymmetric hem, and fitted bodice is highly flattering, proving that a print can be bold without becoming overwhelming. By choosing the barely-there Giuseppe Zanotti Audrinette sandals , Reinhart ensures that the focus remains entirely on the dress and its nuanced pattern, demonstrating an understanding of how to use negative space to amplify a garments impact. The styling here is effective and contextually flawless, setting a benchmark for polished press-day attire.
Sadie Sink and Millie Bobby Brown posed for Time Magazine in October 2025, styled in bold editorial looks for the Stranger Things final season feature.
For the October 2025 issue of Time Magazine , photographed by Michal Pudelka , Sadie Sink and Millie Bobby Brown were captured in striking editorial portraits that framed the anticipation surrounding the epic final season of Stranger Things .
- Sadie Sink appeared in a backless red halter dress , seated against a vivid blue sky backdrop framed by a cracked windowpane. The saturated red contrasted with the serene sky, creating a tension between fragility and power.
- Millie Bobby Brown was styled in a black turtleneck and trousers , posed against a gradient wash of blue and purple light. With her eyes closed and arms raised behind her head, the image conveyed introspection and poise, a counterpoint to Sink’s fiery palette.
Together, the portraits balanced theatrical color with emotional restraint, situating the two stars as both characters and cultural figures navigating the weight of a generational series finale.
