Alyvia Alyn Lind wore a sculptural black blazer minidress at the Bulgari Eternal Vimini rooftop event in Los Angeles in January 2026.
Walking the lit marble curve of a staircase at Bulgari’s Eternal Vimini rooftop party in Los Angeles, Alyvia Alyn Lind made a sharp entrance in a pared-back look that hinges on shape. January 15th isn’t midwinter in LA, but the outfit reads like a city night in early spring–cooler prep, not summer overheat.
Her outfit consists of an elongated black blazer–architectural cut, no buttons, thigh-length, sharply tailored at the waist. There’s minimal disruption in the silhouette: no jewelry, no belt, no flash. Paired with sheer jet-black tights and pointed heels, it quietly leans into the geometry of movement–long lines down the stairs, tight triangle at the ankle, soft bend at the elbow. Hair is blown out and parted with vintage precision. Makeup: light contour, cool-toned eye. Almost mannequin-clean in finish, but the body language adds something livelier. It’s not trying hard.
Natalie Alyn Lind wore a white strapless mini dress with floral lace tights at the Bulgari Eternal Vimini rooftop event in January 2026.
Atop a glowing white staircase in Los Angeles, Natalie Alyn Lind posed with poise somewhere between ’60s ingenue and 2026 It-girl. It was the Bulgari Eternal Vimini rooftop party–part industry mingle, part brand moment. And her look? More studied than flashy, more finishing school than Hollywood flashbulb.
She wore a strapless mini dress made from a stiff, structured fabric with visible boning seams pulling vertically down the bodice. Slight sheen. Sort of like couture napkin folds if that’s not too weird a comparison. The dress is short but not loud. White, clean-lined, and confident.
Then there are the tights. Pinky-white mesh, covered in a soft floral pattern–visually unexpected, almost like doily lace. They turn the whole look from basic to strange in a good way. Things aren’t overly polished here. The slightly matte texture of her heels–also white, pointy, and mesh-paneled–echoes the tights without being matchy.
Hair is down, softly waved. Nails are pale and squared. Face: warm contouring, thick brows, and that blotted lipstick look that’s been circling quietly this year. The result is something that occupies the weird middle space between vintage Barbie and Gen-Z perfectionist minimalism.
Dakota Fanning wore an Emporio Armani semi-transparent shirt, lace-trim shorts, and Louboutin platform pumps at the Armani Beauty Luminous Silk event.
Dakota Fanning attends as Armani Beauty celebrates Luminous Silk, Los Angeles, January 15, 2026. She stands in front of a wall lined with foundation bottles and spools of thread, hands relaxed, gaze soft, not a hint of nerves. The look is a study in contrasts–an Emporio Armani semi-transparent shirt with a dramatic sash at the neck, tucked into black Emporio Armani lace-trim satin shorts. The shirt is sheer, sleeves long, the bow loose and a little bit undone. The shorts are high-waisted, the lace peeking out just enough to keep things interesting.
Her legs are bare except for sheer black tights, and on her feet: towering Christian Louboutin Aquadorcet platform pumps, black and glossy, with a chunky heel. She carries an Armani Small La Prima Soft Bag–black, structured, minimal hardware. Makeup is soft, a little blush, lips a muted rose, eyes defined but not heavy. Hair is long, parted in the middle, straight, falling over her shoulders.
This is a look that leans into event appearance energy–tailored, a little bit playful, but never overdone. For those who follow event appearance , it’s a reminder that sometimes the best move is to mix sheer with structure–one good shirt, one great pair of shorts, and a little bit of attitude.
She could be anywhere–a launch, a gallery, or just the last one at the bar. Tonight, she’s here, and the sash does all the talking. The rest is just foundation bottles and soft light.
