Alyvia Alyn Lind Attends “Wayward” Premiere At Tiff

Fresh from her turn in Netflix’s new series “Wayward,” Alyvia Alyn Lind attends her premiere (and frankly, serves a gothic, doll-like drama) at the Toronto International Film Festival.

Alyvia Alyn Lind arrived on the red carpet in a striking, black babydoll-style dress that felt both innocent and deeply mysterious. The gown’s top is defined by a sheer black material with a dramatic velvet bow at the bust, which adds a tactile, almost whimsical dimension to the look. The dress’s silhouette is loose and flowing, a far cry from the body-con styles often seen at premieres, and features a sheer, layered skirt that trails slightly behind her. The fabric, a light organza or tulle, gives the piece an ethereal, almost floating quality.

Lind’s styling is a masterclass in mood-setting. Her blonde hair is styled in a tousled, slightly undone wave, perfectly complementing the soft, dreamlike quality of her dress. The makeup follows a similar romantic, slightly moody theme—a dark, smoky eye and a nude lip that emphasizes the gothic-lite aesthetic.

The only visible accessory is a pair of simple black open-toed shoes, which disappear beneath the hem of her dress, ensuring the focus remains squarely on the ethereal silhouette. The overall effect is a modern interpretation of a classic Goth-lite sensibility, proving that you can make a powerful statement without a restrictive fit.

Karen Gillan’s ruffled white blouse and jet-black trousers brought a crisp, cinematic contrast to the Corner Bistro sidewalk—part uptown polish, part streetwise charm.

Karen Gillan knows how to make a sidewalk feel like a runway. At Veronica Beard’s Icons Party on September 9, 2025, the actress stepped out in New York City with a look that was equal parts editorial and effortless—proof that fashion’s sharpest moments often happen just outside the velvet rope.

Her outfit was a study in monochrome tension. The white blouse, with its sculptural ruffled sleeves and soft sheen, added volume and movement without veering into costume. It was the kind of top that catches light and holds attention—dramatic, yes, but grounded in tailoring. Paired with high-waisted black trousers, the silhouette felt elongated and intentional, a nod to classic menswear with a distinctly feminine twist.

Accessories were chosen with precision. Black high-heeled sandals added height and edge, while a structured black handbag offered architectural balance. The look was clean, but not sterile—every piece had a role, every texture a purpose.

This look fits seamlessly into the evolving language of celebrity street style , where the sidewalk becomes a stage and the outfit a quiet manifesto. It’s not about spectacle—it’s about precision, personality, and the kind of polish that doesn’t need a spotlight to shine.

Emmy Rossum’s latest on-set appearance channels downtown noir with a tailored edge—pinstripes, platforms, and a red shirt that practically hums with attitude.

There’s something deliciously meta about Emmy Rossum filming a project titled Furious while dressed like a femme fatale who just stepped out of a neo-noir graphic novel. On the streets of New York, September 9, 2025, Rossum’s look wasn’t just camera-ready—it was street-style bait, paparazzi gold, and a quiet flex in tailoring precision.

Let’s start with the suit. A dark pinstriped two-piece, cut close to the body but not tight, gave her a silhouette that felt both classic and cinematic. The vertical stripes—thin, sharp, unapologetically Wall Street—played against the rebellious undertone of her red patterned shirt, which peeked out from beneath the jacket like a smirk. The shirt’s texture added depth, its print subtle enough to avoid clashing, bold enough to hold its own.

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 10

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 11

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 12

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 13

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 14

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 15

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 16

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 17

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 18

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 19

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 20

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 21

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 22

Emmy Rossum Debuts Urban Noir Look on ‘Furious’ Set – NYC, Sept 2025 - 23

Accessories were minimal but intentional. Black dress shoes grounded the look, while oversized sunglasses added a layer of mystery—part shielding, part styling. The real twist? Rossum stood atop a wooden platform, likely for framing purposes, but the visual effect was striking: a literal elevation of style. Her co-star, dressed in a more subdued navy suit and light blue shirt, served as contrast—Rossum was the visual anchor.

Hair was pulled back, makeup minimal. The focus was on the clothes, the stance, the vibe. It’s a look that fits squarely into the current wave of celebrity street style , where the sidewalk becomes the runway and the outfit tells a story before the script does.