Amanda Holden wore a strapless black gown with cutouts and a high slit at The Fashion Awards 2025.

Amanda Holden’s appearance at The Fashion Awards 2025 was a masterclass in controlled drama. She wore a strapless black gown with strategic cutouts across the back and a high slit , paired with black high-heeled shoes featuring red soles . The fabric’s glossy finish amplified the gown’s architectural lines, catching light with every movement.

The cutouts weren’t gratuitous — they were geometric. They carved tension into the silhouette, transforming a classic strapless gown into a study in negative space. The slit, placed with precision, added motion and edge without compromising elegance. This wasn’t a gown that revealed; it sculpted.

Amanda Holden at The Fashion Awards 2025 in London - 1

Paloma Elsesser wore a polka dot dress with a deep neckline and embellished bow at The Fashion Awards 2025.

Paloma Elsesser’s red carpet appearance at The Fashion Awards 2025 was a study in retro geometry and strategic whimsy. She wore a black dress with white polka dots , white straps , and a deep neckline , anchored by a large decorative bow at the waist adorned with black embellishments . The silhouette was compact but expressive, balancing vintage references with modern construction.

The polka dots evoked mid-century femininity, but the neckline and bow disrupted that nostalgia with assertive angles. This wasn’t a look built on sweetness — it was built on contrast. The bow, oversized and embellished, functioned less as decoration and more as punctuation.

Paloma Elsesser at The Fashion Awards 2025 in London - 2

Beabadoobee wore a corset-style top with cargo shorts and tall boots at The Fashion Awards 2025.

Beabadoobee’s red carpet look at The Fashion Awards 2025 was a deliberate disruption of traditional glamour codes. She wore an olive green corset-style top with lace-up detailing and a high collar , paired with cargo-style shorts featuring drawstrings and pockets . The ensemble was grounded by tall brown leather boots , and her visible tattoos added a layer of personal iconography to the styling.

This was not a gown. It was a statement. The corset, often a symbol of restriction, was reimagined here as armor — structured, upright, and unapologetically rigid. The cargo shorts, with their utilitarian references, introduced a note of rebellion. Together, they created a silhouette that was both sculptural and streetwise.