Amanda Seyfried’s Net-A-Porter February 2026 shoot moves between pink retro glamour, oversized faux fur, and leopard-print drama.
On the cover of Net-A-Porter’s February 2026 issue, Amanda Seyfried steps into retro glamour. Pink blouse, sleeves puffed, tie detail long. Striped Gucci skirt grounding it. Curtains behind, pale blue, trimmed. It’s staged, but not stiff.
Another frame: oversized faux fur coat, dark, heavy. Satin dress underneath, shiny, light. Sunglasses oversized. She’s standing on a bed, arms raised. Ceiling lights shaped like stars. The pose is exaggerated, but the room feels oddly domestic.
Third: leopard-print coat, fur collar thick, bow tied at the front. Hallway lit warm, chandeliers glowing. It’s dramatic, almost theatrical, but softened by the golden light.
Together, the spread doesn’t flatten her. It lets her shift. Retro blouse, faux fur, leopard coat. Each outfit carries its own imperfect rhythm.
Olivia Rodrigo wore a sheer lace Valentino Spring 2007 minidress for the W Magazine and Saint Laurent Grammy After Party 2026
At the W Magazine, Charli XCX, and Saint Laurent Grammy After Party on February 1, 2026, Olivia Rodrigo arrived in a vintage piece that balanced nostalgia and bravado. Her Valentino Spring 2007 Dress —a lace‑embroidered, sheer mini —read almost tender under the harsh night lighting. The pattern of powder‑pink florals across a nude mesh revealed a matching Araks Gita Underwire Bra in Bare and Araks Gwyneth Low‑Rise Panty , softly glimmering when she moved. She carried a Fendi Pink Sequin Baguette and wore Jude Haze Sandals in Pink Leather , their muted tone echoing the blossoms on the fabric. Small Anabela Chan Blush Cushion Wing Stud Earrings completed the look without adding noise—a restrained sparkle in the middle of a noisy Los Angeles night.
Part of what makes this event appearance interesting is its quiet resistance to the maximalist red‑carpet energy defining most celebrity event looks today—Rodrigo’s choice is more archival mischief than ornamentation. The lace, originally designed for runway polish, turns subversive in this downtown context.
The Fashion Verdict: The transparency walks the line between vulnerability and certainty. The boat neckline and cap sleeves make the silhouette girlish, but the illusion of exposure keeps it modern. Some might call it daring; it’s really about precision—how each floral motif sits like punctuation over the skin. It suggests a new kind of confidence: nostalgia unbuttoned and worn bare.
Style dilemma: Does this read as revival of early‑2000s romanticism or a defiant Gen Z play on transparency?
Tate McRae wore a black strapless leather dress with structured bust and classic stilettos at the Saint Laurent Grammy 2026 party in Los Angeles on February 1.
On February 1st, 2026 , outside Bar Marmont at the Saint Laurent Grammy after party, Tate McRae looked like she walked out of a pulp-fiction panel—the femme fatale in full command. Her black leather strapless dress , slicked to the body like varnish over muscle, featured a structured bustier top with visible seam detailing and a tight hourglass silhouette. The shine caught every step. It wasn’t trying to be discreet.
Strappy stilettos , black rectangle sunglasses , and a no-joke strut. Hair was long, loose, and slightly glossy—old-school blowout energy. There were no visible accessories, unless you count the Essie Gel Couture Bubbles Only nail polish—short, dark red-orange, quietly fanged. The whole look was runway-meets-garage, femme-coded and street-sharp.
The dress, confirmed to be the Ludovic de Saint Sernin Isabella Dress , hit a very 2026 nerve: glossy texture in a world too digital to touch anything. Forget sparkle. This was about sweat-sheen. Like a command-line prompt for confidence, the look executed itself without error.
