Amanda Seyfried wore a red sleeveless tailored pantsuit to the UK gala screening of The Testament of Ann Lee in London on February 6, 2026.
Amanda Seyfried didn’t need sequins to make noise. At the UK Gala screening of The Testament of Ann Lee on February 6, 2026, she stepped onto the red carpet in an all-red pantsuit so sleek and self-assured it almost refused commentary.
The look: head-to-toe Giorgio Armani . A sleeveless waistcoat made from washed silk crepe , clean-lined, tailored right to the frame, with a hidden front zip instead of buttons. It has a razor-sharp hem that almost mimics a cropped jacket. Below that, high-waisted single-pleat, wide-leg trousers , also crepe, fluid but grounded. There’s movement here, but it doesn’t swish — it glides.
She paired it with pointed black pumps and carried a Giorgio Armani Small Grained Leather Trapezoid Tote Bag — demure, structured, barely demanding attention. Hair fell long, parted on the side, old-Hollywood smooth. Softly waved but polished enough to let the red shine take point.
No necklace. No heavy earrings. Nothing trying to wrestle the spotlight. Just color, silhouette, and insane tailoring. It’s bold but not forced. You either show off or you show up — Amanda managed both.
No fuss. No trend-chasing. Just the kind of red carpet fashion that makes designers proud and stylists relieved.
Chase Sui Wonders wore a bold red dress to the UTA special screening of Pillion in Los Angeles on February 5, 2026.
Red doesn’t whisper. And Chase Sui Wonders wasn’t trying to be subtle at the Pillion UTA Special Screening in Los Angeles on February 5, 2026. She showed up in a full-stop, high-impact red dress that insisted on attention — not because of over-the-top styling, but because of pure color confidence.
The cut is simple. Almost sculptural. A structured sleeveless dress , fitted through the torso and slightly flared at the hem, falling just to the calves. There’s no dramatic slit. No sparkle. No unnecessary additions. It’s just red. Saturated, clear, unapologetic red — the kind that works when the fabric is right and the fit is flawless.
Accessories were minimal, almost avoided. Black small-heeled shoes. A soft wave in the hair. Natural lip. No earrings jumping for attention. The styling held back. The dress did the talking.
It’s a smart move. In a sea of red carpet fashion that tends to scream or slither, Chase chose control. A single color, done with confidence. Nothing felt borrowed or performative. It looked personal.
This wasn’t drama. It was direction.
Miriam Petche wore three contrasting outfits for Squaremile Magazine January 2026, mixing sleek black layers, edgy leather, and casual knitwear with bold styling.
Miriam Petche appears in Squaremile Magazine’s January 2026 editorial shot by Craig Gibson, and the styling runs across three very different moods.
First look: a black fitted top paired with floral sheer tights and pointed heels . It’s sharp, minimal, almost severe. The tights add texture, breaking the monotony. If you ask me, this one feels like a studio portrait idea that’s all about line and detail.
Second look: a black leather blazer layered over a high‑neck top, with patterned fishnet tights and knee‑high boots strapped with buckles. It’s modern, edgy, and a little aggressive. I’ll say it — the boots do all the talking here. Without them, the blazer risks looking too safe.
Third look: a light brown cardigan , partly unbuttoned to show midriff, paired with dark pants and a waistband labeled “Aaron Bradley.” It’s casual but styled, softer than the others. The cardigan feels lived‑in, almost careless, and that’s why it works.
Together, the three outfits show range: sleek, tough, relaxed. What I love is that none of them chase glamour — they sit closer to everyday grit, styled but not polished.
Closing thought: the leather blazer with buckled boots is the one that sticks — like armor dropped into a quiet room, blunt and unforgettable.
