Amanda Seyfried wore a black blazer with relaxed jeans and pointed shoes while outside Capital Radio in London on February 5, 2026.

Some outfits work because they’re simple. Others work because they’re real. This is both. Amanda Seyfried was seen outside Capital Radio in London on February 5, 2026, wearing something that reads quiet, intentional, and low-drama.

She paired a neatly tailored black blazer — no bold shoulders, no exaggerated length, just clean and crisp — with straight-leg two-tone jeans . Think mid-wash denim down the middle and a darker indigo paneling along the outer seam. It adds just enough dimension to break up the blue.

The shoes are classic: black pointed-toe pumps that peek out just enough beneath the cuff. Not clunky boots, not sneakers trying to be cool. Grown-up, but not stiff. And tucked crossbody is a soft black leather bag , slouchy in a way that balances the shape of the jacket.

Here’s why it works: everything is understated, but tailored. No oversized compromises. The jeans are roomy without looking baggy. The blazer sits right at the hip — tailored, not tight. And that’s the key. It doesn’t look like effort, but nothing is lazy either.

Honestly, it’s refreshing. No giant logos, no overly plotted accessories. Just composed, polished celebrity street style with a touch of London sidewalk realism.

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Kaia Gerber wore a trench coat, cropped top, and navy trousers at the Sombr release party at Chateau Marmont on February 5, 2026.

This is late-night layering done the Kaia way — a little messy, a little buttoned-up, and exactly right for walking out of Chateau Marmont. Kaia Gerber was seen leaving Sombr’s release party in Los Angeles on February 5, 2026 , wearing a look that hit dead center between downtown cool and I‑had-no-time chic.

The first thing you see is the long khaki trench coat — slightly rumpled, oversized just enough, worn open with sleeves pushed up like she’s not here to pose. Underneath? A barely-there black cropped top with visible threadbare edging , styled fully unbuttoned except for one lonely clasp in the middle. Totally intentional. Totally casual. Totally exposed, but not loud.

Then we land on the pants — confirmed from [[VAR_CONTENT]] — the Paloma Wool Navy Tropez Trousers . Straight cut, low-rise, no wild flare or pleat theatrics. Just a pair that doesn’t fight the rest of the outfit. Anchoring it all are the Repetto Camille Rubber Sole Ballet Flats , black and unflashy, the kind that whisper instead of announce.

The Paloma Wool Philana Bag slung over one shoulder finishes the look — large, worn-in textured gray , half-tucked under her arm like an afterthought. But it’s not. That bag knows its job.

Here’s the thing: this look isn’t polished. It’s not supposed to be. It’s off-balance in a way that makes you stare twice. I like that. It breathes.

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Sunisa Lee wore a navy blazer and pleated skirt with knee socks at the Thom Browne Fall 2026 Collection show in San Francisco.

Let’s be honest — there’s a thin line between uniform-inspired and costume-y, and Sunisa Lee walked it with near-surgical precision at the Thom Browne Fall 2026 Collection during the GQ Bowl in San Francisco .

She showed up in full-on prep revival: a navy blazer , crisp white button-down , and red-navy striped tie , styled just tight enough to feel intentional. The matching pleated mini skirt hit mid-thigh — serious private school vibes — but it never felt like a parody. Why? Because every piece had structure. The fit was exact , no baggy mess, no faux-quirky mismatch.

And then came the Thom Browne signatures: the gray knee socks , pulled high with that red-white-navy trim right at the top. Plus those shiny black lace-ups — with razor-sharp pointed toes that looked almost cartoonish and serious at the same time. It’s weirdly effective. Like, purposeful weird. Browne’s whole vibe is always a bit twisted, but she wore it like it made sense.

The accessory moment was low-key perfect: a black dog-shaped handbag tucked neatly under her arm. That could’ve gone gimmick real fast — but with everything else so buttoned-up, it just read playful.

If you ask me, it works because she treated the whole look seriously. No wink, no irony. It’s weird prep done with a steady hand.

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