Amber Heard wore a long black overcoat, wide‑leg jeans, and sneakers while out in Madrid with her daughter in January 2026.
In Madrid on a cool January day, Amber Heard was seen walking through the city streets dressed in effortless practicality. She wore a long black double‑breasted coat , the kind that falls straight and heavy but moves as she walks. Underneath, the faint outline of a quilted top is visible at the collar — warm, functional, without fuss. Together with her wide‑leg blue jeans and two‑tone sneakers , the look leaned casual and grounded, built for comfort over statement.
In her hand, she carried a folded umbrella , pale and patterned, almost childlike in contrast to her dark coat — a small, quiet pop of personality. Her hair was pulled back into a high ponytail , face bare of heavy makeup, expression focused as she looked down at her phone mid‑stride. There’s ease in this photo — no performative pose, just someone living a quiet European morning.
The look fits her new rhythm: understated, neutral, maybe even introspective. Madrid seems to suit her like this — unarmored, unhurried, almost anonymous.
Anya Taylor-Joy posed in a textured cream ensemble with fur accents and a patterned silk wrap for Elle UK’s January 2026 edition.
For the Elle UK January 2026 issue , Anya Taylor-Joy brings quiet magnetism to Tom Goddard’s lens — soft light, muted tones, and an expression that threads calm with distance. She wears a structured cream outfit draped with a silk wrap in shades of coral and terracotta, patterned in large circular shapes that ripple like brushstrokes. The fabric catches light faintly, giving off a painterly sheen against the matte backdrop.
A touch of black-and-white textured fur adds weight near her sleeve and shoulder, grounding the airy composition. Her platinum blonde hair falls loosely along one side, smoothed but not rigid, left to catch natural luminance. The makeup keeps serenity at the center: nude lips, diffused blush, elongated eyeliner — beauty pared back to a whisper.
This portrait isn’t chasing glamour. It feels observational, like a paused moment caught between gestures. There’s a stillness to her presence that holds tension — not cold, but resolute, like the fabric she’s cloaked in.
Dixie D’Amelio steps into Valentino’s 2026 campaign, shifting between polished interiors and raw street textures.
In Valentino’s 2026 campaign, Dixie D’Amelio is caught in two moods. One frame shows her sliding out of a black car, teal satin blouse glinting under low light, gold accents at the shoulders. White lace shorts, sheer floral tights, and a small handbag patterned with blooms. Black heels with oversized bows finish the look. It feels half-candid, half-staged—like she’s stepping into a night that’s already moving.
Another shot shifts tone. She’s on the sidewalk, in front of a newsstand. Floral top edged with fur, denim skirt patched with inserts, fur-trimmed shoes. A tapestry bag in hand. The background is ordinary—cars, traffic signs, painted walls—but the outfit pushes against it, layering textures that don’t quite belong together yet somehow hold.
The campaign doesn’t smooth her into one image. It lets her be both—inside the car, polished and styled, and outside, eclectic and rough-edged. Valentino’s choice here isn’t about glamour. It’s about showing how clothes sit differently depending on where you stand.
