Amelia Gray wore Looney Tunes-themed Palace streetwear on The Face Magazine Winter 2025 cover and editorial shoot.
Amelia Gray’s Winter 2025 editorial for The Face Magazine is a maximalist collision of cartoon nostalgia, streetwear irony, and surrealist posing. Across multiple setups — from squatting in white heels on a pastel floor to licking ice cream in layered plaid and Sylvester graphics — the styling never settles. It ricochets between Looney Tunes chaos and Palace-coded cool, with each look functioning less as an outfit and more as a visual punchline.
The garments, oversized and graphic-heavy, feature characters like Tweety and Sylvester, often paired with unexpected accessories: jester hats, leopard heels, varsity jackets, and even a cartoon bomb as a seat. The color palette swings from soft pinks and blues to saturated blacks and yellows, always anchored by the irreverent energy of the Looney Tunes prints.
Rosalía appeared on The Tonight Show Starring Jimmy Fallon on November 16, 2025, wearing a voluminous satin ensemble with theatrical flair. The look fused performance fashion with surrealist glamour, amplifying her presence through texture, silhouette, and staging.
Rosalía’s November 16, 2025 performance on The Tonight Show Starring Jimmy Fallon was a visual crescendo of theatrical fashion and sonic mysticism. Seated on a bed draped in vibrant blue satin ruffles , framed by matching curtains, she wore a strapless, light-toned voluminous dress , white tights , and sparkly high heels . The entire composition — from the fabric’s sheen to the exaggerated silhouette — felt like a surrealist painting rendered in motion.
The look wasn’t just dramatic; it was architectural. The voluminous skirt created a sculptural base, while the satin backdrop extended the garment’s logic into the environment. This wasn’t a stage — it was a mise-en-scène. Rosalía’s styling blurred the line between costume and couture, performance and installation.
Her pose — seated, grounded, yet commanding — suggested a deliberate inversion of pop performance tropes. No choreography, no spectacle. Just presence. The white tights and glittering heels added a layer of vintage cabaret, but the overall effect was more avant-garde than nostalgic.
In the context of her evolving visual language — from flamenco futurism to reggaeton minimalism — this look marks a pivot toward surrealist intimacy . It’s not about scale; it’s about saturation. The blue satin doesn’t just frame her — it absorbs her, making the fashion part of the emotional register.
Lorde wore Calvin Klein underwear and a distressed white tank top on New York Magazine’s Culturati 50 cover December 2025.
Lorde’s appearance in New York Magazine: The Culturati 50 December 2025 issue is less a fashion moment than a cultural snapshot. Shot in a dressing room bathed in golden light, she sits on a counter in Calvin Klein underwear and a distressed white tank top , razor in hand, gaze unflinching. The styling is raw, deliberate, and intimate — a visual echo of the editorial’s theme: culture-makers who dissect and define the year.
The look is stripped of glamour, but rich in texture. The tank top’s frayed edges and the visible tension in her pose suggest a kind of aesthetic rebellion — not against fashion, but against polish. It’s a portrait of someone who’s not performing for the camera, but confronting it.
In the accompanying quote, Lorde reflects on Poog , the podcast by Kate Berlant and Jacqueline Novak: “Can it really be explained? Those of us who know, we just know. It’s for us.” The sentiment mirrors the shoot’s ethos — insider intimacy, cultural specificity, and a refusal to dilute. She’s not trying to be understood by everyone. She’s speaking to those who already get it.
