Amelia Hamlin wore cropped pink sweatpants, a sports bra, and oversized jacket while spotted makeup-free in Los Angeles on January 26, 2026.
Spotted in Los Angeles on January 26, Amelia Hamlin stepped out makeup-free and fully inside her comfort zone—style-wise and otherwise. The look? Ultra-casual. Effortless, yes, but with distinct choices. Call it off-duty but dialed in.
She’s wearing cropped sweatpants in a soft pastel pink. Not tight, not baggy—somewhere between boxer fluff and high school gym class. The length hits mid-calf with a subtle slit on the side seams, which adds just enough shape to avoid drag. Up top, she pairs it with a black sports bra—minimalist, clean lines, gym-functional. She leaves it uncovered except for a lightweight black windbreaker that drapes open and oversized. Shoulders loose. Sleeves full. Practical, sure, but also just… loose. The kind of jacket that doesn’t ask questions—it just shows up when you need it.
Kendall Jenner wore a Chanel Pre-Fall 2026 orange sequin dress with cap-toe slingbacks outside the Tonight Show in New York on January 28.
Outside the Tonight Show taping on January 28, Kendall Jenner stepped into Midtown like a high-gloss hallucination—equal parts cartoon shimmer and couture control. There’s something about a Chanel dress that stops pretending to be elegant and just goes for brilliance.
She wore a form-fitting sheath from Chanel Pre-Fall 2026 , built entirely from a dense flood of lacquered orange sequins that mimic bubble wrap with a vengeance. That texture—circular, candy-coated, a little absurd—catches light in every direction. The black chevron striping slashes across her torso in symmetrical patterns, tapering down vertically like tiger stripes and pulling tight at the waist. The edge of the hem frills out just slightly, puckered, giving a strange sugar-rimmed finish. Think tiger-meets-Tamagochi.
Melissa Barrera moves through Elle Mexico’s January 2026 issue, shifting from vintage grit to sequined ease.
In Elle Mexico’s January 2026 issue, Melissa Barrera is everywhere at once. On the cover, she stands against a pink backdrop, brown zippered top, silver jewelry catching the light. The headline calls her voice a gift, and the frame feels both bold and stripped down.
Inside, the mood changes. She sits on a blue sofa, floral lace top and skirt, red trim edging the sleeves. The colors are layered — grey base, pinks, blues, reds — delicate but not fragile. It’s a look that feels like it belongs in a living room, not a runway.
Another shot pushes vintage. A cropped houndstooth blazer with gold buttons, high-waisted trousers, clear-framed glasses. She holds a black corded phone, coiled wire dangling. Retro, almost playful, but styled with precision.
Then the finale: a strapless white mini dress, sequins and fringe shimmering against pink curtains. Hair loose, expression steady. It’s the most direct of the four — no props, no furniture, just her and the dress.
Together, the spread doesn’t chase one image. It lets her shift. Cover star, sofa quiet, retro suit, sequined edge. Elle Mexico doesn’t flatten Melissa into a single mood. It lets her be many.
Do these four outfits feel like fragments of different personas, or one restless editorial voice?
