Ana de Armas wore a custom Louis Vuitton black beaded gown with diamond jewelry for the 83rd Annual Golden Globe Awards in Beverly Hills 2026.
On the soft burgundy carpet of the Beverly Hilton, Ana de Armas looks like she belongs to another temperature–cool, steady, precise. Her Louis Vuitton custom gown , pitch-black and speckled with thousands of tiny beads, catches flashes like a quiet constellation. It’s a slip of a silhouette: thin straps, a scalloped neckline, a thigh-high slit revealing one calm step at a time. The cut holds close to her frame yet never looks effortful. The craftsmanship sits in that restraint.
Her hair, falling in loose waves, is old-school without being nostalgic. A touch of rose at the cheeks, muted gloss, eyes defined softly. The makeup feels like an afterthought that happens to be perfect. Around her neck–a Louis Vuitton diamond necklace , simple and sharp. Matching Empreinte earrings glint just once each time she turns toward a camera. Even her Malle Bag , carried later inside, feels decorative in understatement–the luxury of control, not display.
Ana de Armas wore a black beaded Louis Vuitton custom dress and diamond necklace at the 83rd Annual Golden Globe Awards in Los Angeles.
Ana de Armas at the Moët & Chandon bar, 83rd Annual Golden Globe Awards, Los Angeles, January 11, 2026. She stands in the middle of the crowd, not fussing, not posing–just there, letting the moment happen. The dress is black, custom Louis Vuitton , covered in tiny beads that catch every bit of light. Thin straps, a soft V neckline, fitted through the waist, with a slit that’s more suggestion than statement. The fabric glimmers, but never shouts.
Shoes are black, peeking out from under the hem, nothing distracting. No wild colors, no big drama, just a woman in a black dress, standing on a red carpet, looking like she belongs there. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it simple–one great dress, a little sparkle, and a lot of ease.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the beads do all the talking. No need for extra noise.
Kristen Stewart wore a white crop top with a sheer sparkling skirt and leather boots for her Late Night with Seth Meyers appearance 2026.
Under the studio lights of Late Night with Seth Meyers , Kristen Stewart looks relaxed, like the moment caught her mid-laugh. She’s dressed in a white sleeveless crop top –plain cotton, edges soft, no stiffness–and a sheer, floor-length skirt made of glinting fabric that catches the blue stage light in fine, vertical flickers. It’s the Ilkyaz Ozel Isis Dress layered over a simple tank and dark undergarment, though it almost feels more improvised than styled.
The transparency reads deliberate–not for shock, just honesty. The fabric hangs straight down, catching light like a wet reflection. Comfort meets nerve. Instead of the usual polished late-show styling, her look edges into performance art territory: casual on top, ethereal below. Barely a transition between one world and the next.
Hair cropped short, no fuss. Her skin gleams under the cool light–makeup minimal, a little gloss at the mouth, lashes darkened just enough. The Casadei Betty High Block-Heel Leather Boots make an unexpected anchor to all that shimmer–solid white boots against a surface meant to move.
It’s very Kristen–purposeful accident. Not glamorous, not careless either. More like she walked straight from the street into the set, forgot she was supposed to change, and somehow looked perfect that way.
