Ana de Armas was spotted in Santa Monica wearing a black top, white pants, and a Louis Vuitton duffle bag with a pink keychain, November 13, 2025.
On November 13, 2025 , Ana de Armas was spotted walking through Santa Monica, California , en route to a meeting, wearing a look that emphasized street style-coded polish reframed as off-duty elegance . She appeared in a black long-sleeve top paired with crisp white high-waisted pants and black shoes , styled with a large Louis Vuitton duffle bag featuring tan leather straps and a pink fluffy keychain , plus a black shoulder bag with a gold chain strap .
Her dark sunglasses and smartphone-in-hand stance added a layer of paparazzi style-coded realism , while the urban backdrop — complete with parked cars and utilitarian bins — amplified the contrast between luxury accessories and everyday surroundings.
Chase Sui Wonders wore a red puff-sleeved top and black skirt with patterned tights at the Critics Choice Association’s 4th Annual AAPI Cinema & Television Celebration in Los Angeles, November 2025.
On November 14, 2025 , Chase Sui Wonders attended the Critics Choice Association’s 4th Annual AAPI Cinema & Television Celebration in Los Angeles , wearing a look that emphasized red carpet-coded contrast reframed as editorial clarity . She appeared in a red top with voluminous puff sleeves paired with a black skirt , styled with black patterned tights and classic black heels that grounded the ensemble in tonal discipline.
The outfit’s interplay of bold color and structured silhouette situates the look within red carpet arrivals-coded individuality , balancing statement sleeves with minimalist styling. The backdrop — featuring AAPI celebration branding and entertainment sponsors — amplified the ensemble’s cultural resonance, framing Chase’s appearance as both fashion-forward and community-aligned.
Sydney Sweeney wore a velvet sweetheart neckline gown from Gianni Versace’s F/W 1995 runway ad in a mirrored editorial shoot for the GQ Men of the Year party, November 2025.
For her Glen Oropeza-lensed editorial shoot tied to the GQ Men of the Year Awards on November 13, 2025 , Sydney Sweeney stepped into a moment of mirror-coded glamour reframed as archival precision . She wore a black velvet evening gown from Gianni Versace’s Fall/Winter 1995 runway ad , featuring a sweetheart neckline and sculpted silhouette , styled with a black choker necklace that echoed the gown’s vintage sensuality.
Set in a mirrored room with geometric floor tiling and stacked props, the shoot emphasized fashion photoshoot-coded dimensionality , where reflections multiplied the gown’s impact and transformed the space into a cinematic fashion spread. The presence of a flash-wielding photographer in the frame added a behind-the-scenes-coded realism , grounding the high fashion moment in editorial authenticity.
