Ana de Armas wore soft glam makeup and loose waves in Cibelle Levi’s Golden Globes beauty shoot in January 2026.
If radiant had a face, this would be it. Ana de Armas teamed up with Cibelle Levi for a Golden Globes beauty photoshoot in January 2026 , and the result feels like a soft whisper — not a scream — of old-school glamour.
Let’s talk light. Everything here glows: her skin, her eyes, the dress. But it’s the makeup that really handles business. A dewy complexion that avoids looking sweaty. Flush across the cheeks, a slight gleam on the bridge of the nose, and lips that are glossed just enough to reflect light. Nothing heavy. Just definition in all the right places. This isn’t everyday—this is red carpet beauty calculated to look effortless.
Eyes? Neutral-toned shadow gently smoked out toward the edges, with lashes darkened but not overloaded. No clumpy mess, no harsh lines. Just enough to open the eyes without turning them into drama.
Her brows are brushed up and slightly filled, breathing life without taking attention. And the hair style ? Voluminous side part, set in waves that fall like they had help—but not too much. Old Hollywood without the stiffness. If you ask me, this entire beauty look works because it’s clean, quietly technical, and made to last under 10 cameras.
The necklace sparkles. The skin glows. The lashes hit. That’s it.
Becky G wore a khaki jacket, cropped tank, and painted jeans at the Bay Area Brunch in San Francisco on February 7, 2026.
Some outfits just have ease built into them. Becky G rolled into the Bay Area Brunch by VaynerX and OffBall in San Francisco , February 2026, looking like comfort and control had a fashion baby.
She wore a cropped khaki jacket — structured but relaxed, with wide lapels and adjustable cuffs left undone. Just boxy enough to feel styled, not stiff. Underneath? A white cropped tank , minimal but firm, sitting tight across her torso and making space for the real centerpiece: the jeans.
Wide-leg. Loose. And yes, that bleach-washed, green-yellow airbrushed thing happening all the way down the legs? It’s what sets this apart from lazy denim. These spray-dyed jeans are risky — the kind of thing that can look dusty real fast if not styled right. But on Becky? The fit’s slouchy just where it should be, and she keeps it grounded with neutral pointed-toe heels peeking out from under the hem.
Hair’s voluminous, makeup glows but doesn’t fight the look. No bold lip, no dramatic eye — because she didn’t need it. The outfit’s loud in color but calm in energy.
This is one of those media event looks that isn’t begging to be photographed — but looks good when it is.
Tie-dye’s grown up, and we’re deep into the “painted denim” moment. These jeans play it right — artful without being chaotic.
Sprayed denim: hot move or fashion accident waiting to happen?
Emma Corrin appeared in The Observer Magazine February 2026, blending bold fashion styling with candid reflections on identity, career milestones, and evolving fame.
Emma Corrin (celebmafia.com in Bing) fronts The Observer Magazine on February 8, 2026, with a cover that sets the tone: oversized white blazer with puffed sleeves, worn over black undergarments and paired with black shoes . Short hair, hand on hip, the pose sharp but relaxed. If you ask me, the blazer does all the work here — it’s exaggerated enough to carry the whole look.
Inside, the editorial shifts between fashion and conversation. One spread shows Corrin in a black dress with white collar and cuffs , holding the neckline with both hands. Severe tailoring softened by playful gesture. Another frame strips things down: sleeveless black top and pants , arms extended, pose doing more than the clothes. And then the avant‑garde moment: a woven sleeveless top in black and light blue , paired with striped high‑waisted pants that flow seamlessly into matching heels. It’s bold, patterned, almost bombastic, but that’s why it works.
The written profile adds depth. Corrin reflects on ambition in their twenties, the shift toward balance, and the way fame reshapes identity. They speak about the breakout role as Diana in The Crown , the detective turn in A Murder at the End of the World , and the upcoming 100 Nights of Hero . What stands out is the honesty: they admit success never feels like “making it,” instead it’s about rhythm, health, and creating space for what matters.
Together, the fashion and words show grit and grace — exactly what the cover promised. Corrin’s style is imperfect, lived‑in, and that’s why it lingers.
Closing thought: the striped pants look is the one that sticks — like fabric turned into armor, blunt and unforgettable.
