Ana de Armas wore a black beaded Louis Vuitton custom dress and diamond necklace at the 83rd Annual Golden Globe Awards in Los Angeles.
Ana de Armas at the Moët & Chandon bar, 83rd Annual Golden Globe Awards, Los Angeles, January 11, 2026. She stands in the middle of the crowd, not fussing, not posing–just there, letting the moment happen. The dress is black, custom Louis Vuitton , covered in tiny beads that catch every bit of light. Thin straps, a soft V neckline, fitted through the waist, with a slit that’s more suggestion than statement. The fabric glimmers, but never shouts.
Shoes are black, peeking out from under the hem, nothing distracting. No wild colors, no big drama, just a woman in a black dress, standing on a red carpet, looking like she belongs there. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to keep it simple–one great dress, a little sparkle, and a lot of ease.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the beads do all the talking. No need for extra noise.
Elle Fanning wore a custom Gucci beaded gown with Cartier diamond jewelry for the 83rd Annual Golden Globe Awards in Beverly Hills 2026.
On the red carpet at the Golden Globes, Elle Fanning glows–less because of light, more because the gown itself seems to create it. A custom Gucci design , glistening with silver-blue beading that catches flashes mid-air. The shape is pure sculpture: deep V-neck, fitted bodice, and a clean, ground-long hem that folds but never pools. It’s exact.
The gown doesn’t shout luxury; it whispers density. Each embellishment tiny but deliberate, moving under her every step like frost shaken loose. The color floats somewhere between lilac and steel, changing with the lights, the air, even the red beneath her feet.
Her Cartier Diamond Necklace curves close to the collarbone, precise like architecture. Broderie De Cartier and Reflection De Cartier rings handle the rest–small flashes at her hands, never competing. Hair left loose, parted naturally, framing that off-guard grin she’s known for. The simplicity of that styling saves the whole thing from drifting into costume.
There’s grace here, yes, but also stillness. You can see it in her posture–chin lifted half an inch higher than reasonable, eyes soft, like she knows how rare it is for something to fit this perfectly.
The dress shimmers as she moves, but when she stops, it almost disappears into quiet. Just her, breathing inside all that precision.
Ana de Armas wore a custom Louis Vuitton black beaded gown with diamond jewelry for the 83rd Annual Golden Globe Awards in Beverly Hills 2026.
On the soft burgundy carpet of the Beverly Hilton, Ana de Armas looks like she belongs to another temperature–cool, steady, precise. Her Louis Vuitton custom gown , pitch-black and speckled with thousands of tiny beads, catches flashes like a quiet constellation. It’s a slip of a silhouette: thin straps, a scalloped neckline, a thigh-high slit revealing one calm step at a time. The cut holds close to her frame yet never looks effortful. The craftsmanship sits in that restraint.
Her hair, falling in loose waves, is old-school without being nostalgic. A touch of rose at the cheeks, muted gloss, eyes defined softly. The makeup feels like an afterthought that happens to be perfect. Around her neck–a Louis Vuitton diamond necklace , simple and sharp. Matching Empreinte earrings glint just once each time she turns toward a camera. Even her Malle Bag , carried later inside, feels decorative in understatement–the luxury of control, not display.
