Ana de Armas wore a pink sports set with APL sneakers and Louis Vuitton bags while out in Los Angeles on January 14, 2026.
Stepping out in Los Angeles on January 14, 2026, Ana de Armas was seen in a pink workout look that balanced function with polish. She wore a Dfyne Origin Sports Bra paired with high-waist leggings in the same shade, letting the monochrome tone do the work. Simple, spare, quietly confident.
Her accessories tipped toward luxury: a Louis Vuitton Coussin Bucket Bag hanging from one arm by its chunky gold chain and a Louis Vuitton Keepall Bandouliere 45 slung with casual ease. On her feet, APL Techloom Tracer Sneakers in solid black tempered the otherwise sweet color palette. A black sweatshirt in hand, ready for the shift from gym to errands, added a normal-life touch that made the look real.
There’s nothing performative here–the outfit reads as lived-in, the layering instinctive rather than styled. Hair pulled back, no visible makeup, small bracelets glinting when she moved–a study in minimal effort that still holds form.
The appeal lies in the discipline: pink softness given structure through proportion and texture. It’s practical, precise, without pretending. Ana’s pink activewear might be less about color and more about clarity–a reminder that confidence sometimes shows up in leggings.
Style Dilemma: Is the luxury-meets-gym balance evolving into the new uniform for city mornings?
Hilary Duff appears in V Magazine January 2026, photographed in multiple editorial looks that highlight texture, intimacy, and quiet drama.
January 2026. Hilary Duff lying across a bed, fur coat heavy, hair damp, nails long and dark. A ring glints faintly. The wall pale green, window streaked with rain. The mood is soft, damp, almost cinematic.
Another frame: outdoors at night, thick fur coat again, slippers casual. She sits between glowing propane heaters, trailers faint in the background. The image feels behind-the-scenes, improvised warmth against cold air.
Third look: doorway, barefoot, yellow dress light against pastel walls. Furniture covered in plastic, floor reflective, pinkish hue mirroring her stance. Arms crossed, posture contemplative. The atmosphere serene, unfinished, almost fragile.
Her styling here: deliberate contrasts. Fur against rain, coat against heaters, dress against plastic. Together they form a fashion spread stitched from fragments. A celebrity photoshoot reframed into lived-in rhythm.
Duff’s editorial wasn’t about spectacle. It was about fragments — nails long, heaters glowing, floor reflective. A styled shoot reframed into something tougher, more authentic.
Kimberly Garner wore a two-piece printed bikini while enjoying a day on the beach in St Barts on January 15, 2026.
On a bright January day in St Barts, Kimberly Garner was seen walking along the shore in a classic tie-string bikini with a lively print that mixed warm tan, coral, and white tones. The cut was minimal but neat–the halter top framed her shoulders easily, and the low-rise bottoms tied casually at the hips. Nothing flashy here, just the honest pairing of sun, fabric, and salt.
Her hair was loose, beach-soft, catching the light at the ends. No visible accessories, no makeup drama–just that straightforward island rhythm where wind and water do most of the styling. The look worked because it wasn’t trying: this was vacation pared back to its simplest formula.
