Anastasia Karanikolaou wore a black V-cut plunging top with dark wash denim jeans for dinner at Bird Street on January 24, 2026.
Night falls on West Hollywood and Anastasia Karanikolaou is caught mid-stride, heading toward Bird Street for dinner. It is a look that leans heavily on the architecture of the V-cut top —a plunging , ribbed black number that feels less like a garment and more like a daring geometric exercise. This is celebrity street style stripped of its layers, opting instead for a singular, high-impact focal point that demands attention against the muffled backdrop of the evening.
Bianca Censori wore a black halter bodysuit with dramatic feathered leg warmers while leaving a facial appointment in West Hollywood on January 24, 2026.
The pavement of West Hollywood is usually a runway for the predictable—leggings, oversized hoodies, the occasional ill-advised crop top. But today, Bianca Censori decided to treat the sidewalk like a high-fashion runway, or perhaps a scene from a low-budget sci-fi film. Stepping out of a facial appointment, she didn’t just walk; she arrived . The look is aggressive, monochromatic, and undeniably loud. It’s a street style moment that refuses to be ignored, even at 2 PM on a Tuesday.
The centerpiece is a black halter bodysuit —sleek, synthetic, and cut with a high-leg silhouette that feels less like casual wear and more like a costume for a cyberpunk dystopia. But the real drama happens below the knee. Those aren’t just boots; they are feathered leg warmers , a chaotic explosion of black plumage that swallows her shins and drags slightly on the asphalt. It’s a textural nightmare—sleek spandex meeting messy, heavy feathers. She carries a phone in one hand, completely unbothered by the absurdity of the drag. The hair is windblown, the sunglasses are narrow and severe. It’s a look that says, “I am here, and I have accessorized my legs with a bird.”
Kiernan Shipka wore a black oversized coat with a green ruffled mini dress at The Shitheads premiere during Sundance Film Festival on January 23,
Kiernan Shipka stepped out for The Shitheads premiere at Sundance’s Library Theater, and the look was pure street style pragmatism with a twist. A slouchy black coat—oversized, slightly rumpled, the kind you’d grab for a late-night dash—swallowed her frame, but the flash of green underneath cut through the winter gloom. That’s a Delphine Zoey dress, its ruffled hem peeking out like a secret, the fabric stiff enough to hold its own against the coat’s bulk. No fuss, no frills, just a coat that says “I’m cold” and a dress that whispers “but I tried.”
