Anastasia Karanikolaou’s textured mini and strappy heels brought high-gloss heat to LTK’s NYFW soirée—think Studio 54 meets influencer precision (with a twist).
Anastasia Karanikolaou didn’t just show up to LTK’s New York Fashion Week event—she arrived like a headline. Standing against a gilded logo wall and patterned wallpaper, she delivered a look that fused retro glamour with modern edge.
Her black mini dress was a study in texture and tension. Sleeveless, with a plunging V-neckline and a sculpted silhouette, the fabric shimmered with a subtle sheen—possibly a crushed lamé or embossed satin—that caught the light like a disco ball in repose. The cut was clean but sultry, hugging her frame without veering into excess.
She paired the dress with strappy black high-heeled sandals—barely-there but impactful. The styling was smart: no necklace to compete with the neckline, no clutch to clutter the silhouette. Just a bracelet on one wrist, adding a hint of sparkle and balance.
Sadie Sink’s Marilyn Minter portrait for The New Yorker is a fog-drenched fantasy—voluminous curls, glistening lips, and earrings that practically echo through the mist.
Sadie Sink doesn’t just appear on the cover of The New Yorker—she detonates across it. In Marilyn Minter’s September 22, 2025 portrait, Sink is transformed into a high-gloss vision of surreal glamour, equal parts Warhol muse and modern siren.
Her voluminous red curls explode outward like a halo of firelight, rendered with painterly precision that feels both vintage and futuristic. The hair alone could headline a show at MoMA—bold, unapologetic, and unmistakably hers.
The makeup is pure drama: shimmering eyeshadow that catches the light like crushed gemstones, bold red lipstick with a lacquered finish, and skin that glows through the fogged glass effect like a Renaissance portrait dipped in neon. It’s beauty as spectacle, but with intention.
Adorning her ears are oversized, sculptural earrings—possibly custom or editorial pieces—evoking the maximalist jewelry trends of the late 1980s but reimagined for a post-digital age. They’re not just accessories; they’re punctuation marks.
Lily James brought monochrome mastery to the “Swiped” screening—her sleeveless top and wide-leg trousers fused red carpet polish with off-duty cool (and it worked).
Lily James knows how to make minimalism feel maximal. At the New York screening of Hulu’s “Swiped,” she stepped onto the carpet in a black-on-black ensemble that whispered elegance while nodding to downtown edge.
Her outfit was a study in tailored restraint: a sleeveless black top—structured, slightly cropped, and buttoned down the front—paired with high-waisted, wide-leg trousers that pooled just enough to suggest ease without sacrificing sharpness. The silhouette was clean, modern, and quietly commanding. It evoked the kind of power dressing that doesn’t need shoulder pads or sequins to make its point.
In a second look from the event, James added a cropped blazer to the mix—same trousers, same top, but with a layer that shifted the tone from sleek to editorial. The blazer, with its slightly boxy cut and sharp lapels, added structure and a hint of masculine energy, balancing the femininity of her fitted top.
Accessories were kept minimal. Transparent heels elongated the leg without interrupting the monochrome palette, and a subtle bracelet added just enough sparkle to catch the flashbulbs. No clutch, no statement earrings—just precision styling.
Her hair was worn in soft waves, parted to the side, and makeup leaned neutral: a satin-finish complexion, muted lips, and defined brows. It’s the kind of beauty that complements rather than competes.
