Angelina Polikarpova wore a light blue sleeveless jersey dress during a casual outdoor photoshoot for her personal style portfolio in January 2026.
Angelina Polikarpova sits on sun-bleached concrete steps for this January 2026 photoshoot, opting for a look that feels more like a quiet afternoon than a high-stakes editorial. She wears a sleeveless, light blue garment—likely a jersey or soft knit dress—that clings with a certain honest simplicity. The fabric has a matte, almost dusty finish, gathering in small, unstudied folds around her waist as she leans back.
Sadie Sink wore a navy coat with Prada Triangle-Logo Leather Slingback Pumps outside the Good Morning America studio on January 7, 2026.
Sadie Sink emerged into the New York chill on January 7, 2026, looking like she’d just plucked the best pieces from a very expensive, very chaotic hallway closet. She’s wrapped in a dark, structured coat—a deep navy or black—that hits just above the knee, shielding a striped top that peeks out with a certain collegiate nonchalance. The jeans are the real story here. Wide, deeply cuffed, and unapologetically heavy, they swallow her frame in a way that feels deliberately awkward.
Natalia Dyer and Maya Hawke celebrate the Stranger Things series finale in a January 2026 photoshoot featuring McQueen and Prada.
Natalia Dyer and Maya Hawke came together for a final fashion photoshoot to mark the Stranger Things finale on January 7, 2026 , delivering a styled shoot that feels like a bittersweet goodbye to Hawkins. Dyer is armored in a McQueen Resort 2026 leather set—a fitted jacket and straight-leg trousers that offer a sleek, futuristic edge. It is a sharp departure from Nancy Wheeler’s knit sweaters, a kind of frozen grit that suggests the character has finally outgrown the small-town mystery.
Beside her, Maya Hawke lean into the eclectic energy of a Prada Spring 2026 ensemble. It is a lavish mess of layers: a plunging red sweater over a brown button-down, anchored by a sheer black lace midi skirt with suspenders. It is melodramatic even, in how much it refuses to coordinate, yet it captures that high fashion eccentricity Hawke has made her signature.
