Anna Cathcart wore an off-shoulder chocolate mini dress and burgundy heels at The Cut’s Golden Globes Brunch in West Hollywood 2026.
At The Cut’s Golden Globes Brunch, Anna Cathcart keeps things clean and bright–an outfit that looks easy because it probably is. She’s wearing a chocolate-brown, one-shoulder mini dress , the fabric slightly ruched around the waist like it’s been gently adjusted rather than perfectly sculpted. The asymmetry works in her favor, soft on one side, sharp on the other.
Julia Garcia wore a strapless navy midi dress with nude pumps at the Arctic Nights Music Gala in Los Angeles on January 10 2026.
On the red carpet of the Arctic Nights Music Gala, Julia Garcia shows up in something classically straight to the point–a navy strapless midi dress that finds power in shape, not shimmer. The structured bodice cinches just enough to frame the shoulders and neckline, no excess, no noise. Fabric smooth and matte, falling narrow through the hips before cutting off mid-calf.
She sticks to pale nude heels , pointed and clean. The kind of shoes that make everything else stand still for a moment. A thin bracelet, small cross necklace, and nothing more–the styling speaks softly. Hair is left long, side-parted, barely touched, with that easy-to-miss effort behind natural gloss.
Under the flashes, navy turns darker, nearly black. It fits her calm expression–composed without stiffness, a little detached from the crowd behind her. It’s that kind of look that blends restraint with confidence. A quiet silhouette doing exactly what it means to.
She doesn’t pose like she’s telling a story–just stands, hand on hip, the dress doing the language work. Sometimes simplicity isn’t a safe move; it’s the point.
Elle Fanning wore a custom Gucci beaded gown with Cartier diamond jewelry for the 83rd Annual Golden Globe Awards in Beverly Hills 2026.
On the red carpet at the Golden Globes, Elle Fanning glows–less because of light, more because the gown itself seems to create it. A custom Gucci design , glistening with silver-blue beading that catches flashes mid-air. The shape is pure sculpture: deep V-neck, fitted bodice, and a clean, ground-long hem that folds but never pools. It’s exact.
The gown doesn’t shout luxury; it whispers density. Each embellishment tiny but deliberate, moving under her every step like frost shaken loose. The color floats somewhere between lilac and steel, changing with the lights, the air, even the red beneath her feet.
Her Cartier Diamond Necklace curves close to the collarbone, precise like architecture. Broderie De Cartier and Reflection De Cartier rings handle the rest–small flashes at her hands, never competing. Hair left loose, parted naturally, framing that off-guard grin she’s known for. The simplicity of that styling saves the whole thing from drifting into costume.
There’s grace here, yes, but also stillness. You can see it in her posture–chin lifted half an inch higher than reasonable, eyes soft, like she knows how rare it is for something to fit this perfectly.
The dress shimmers as she moves, but when she stops, it almost disappears into quiet. Just her, breathing inside all that precision.
