Anna Kendrick wore a sleeveless light blue belted dress with sneakers and socks on the set of Babies in Los Angeles, November 2025.
On November 11, 2025 , Anna Kendrick was spotted on the set of Babies in Los Angeles, wearing a look that emphasizes celebrity street style-coded casual chic . She appeared in a sleeveless light blue dress cinched at the waist with a belt , paired with light-colored sneakers and socks . Holding a glass with a bright beverage, Kendrick’s relaxed stance situates the frame within off-duty look-coded ease .
The ensemble’s simplicity is punctuated by its soft color palette, while the addition of sneakers underscores the practicality of an everyday outfit reframed for paparazzi style visibility .
AnnaSophia Robb wore a long dark blue coat with a Maison Kitsuné two-tone scarf while dining at Cafe Cluny in New York, November 2025.
On November 11, 2025 , AnnaSophia Robb was seen enjoying dinner with Isa Briones at Cafe Cluny in New York City , wearing a look that emphasizes celebrity street style-coded urban chic . She appeared in a long dark blue coat , styled with a Maison Kitsuné two-tone scarf with fringes , and carried a phone adorned with a beaded accessory.
Isa Briones complemented the scene in a brown leather jacket , paired with sunglasses and a handbag featuring a glossy maroon flap. Together, the duo’s styling situates the frame within paparazzi style-coded urban fashion , blending casual chic with evening sophistication.
Sadie Sink wore an Erdem embellished guipure long sleeve midi dress with lace collar on the Elle Australia Party Issue December 2025 cover.
For Elle Australia ’s Party Issue December 2025 , Sadie Sink is photographed in a look that emphasizes celebrity photoshoot-coded restraint reframed as editorial spectacle . Wearing an Erdem embellished guipure long sleeve midi dress , she is styled with a wide lace collar featuring intricate embroidery . The garment’s semi-transparent quality reveals a nude-toned underlayer, situating the ensemble within high fashion-coded delicacy .
Her hair is styled in long, wavy locks pulled back to emphasize the collar’s prominence, while her pose — hands clasped in front — situates the frame within studio portrait-coded austerity . The black-and-white treatment of the image, disrupted by digital glitch distortion, adds a layer of styled shoot-coded modernity , juxtaposing classical lacework with contemporary visual interference.
