Anna Kendrick wore a grey dress with white lace trim and white sandals at Laika’s ParaNorman: The Thrifting premiere in Hollywood on October 18, 2025.
On October 18, 2025, Anna Kendrick attended the premiere of Laika’s ParaNorman: The Thrifting at the TCL Chinese 6 Theatres in Hollywood , arriving in a look that balanced playful charm with event‑ready polish. She wore a grey dress with a fitted bodice, thin straps, and a flared skirt , accented by white lace trim that added a touch of vintage sweetness.
The ensemble was completed with white high‑heeled sandals , which reinforced the lightness of the look and contrasted softly against the darker grey fabric. The combination of structured fit and flared movement gave the outfit a youthful silhouette, while the lace detailing introduced a nostalgic, almost storybook quality—fitting for an animation premiere.
Selena Gomez wore a black button‑up shirt with high‑waisted trousers at the Fortune Most Powerful Women Summit in Washington, D.C. on October 15, 2025.
On October 15, 2025, Selena Gomez attended the Fortune Most Powerful Women Summit in Washington, D.C. , opting for a look that emphasized professionalism and authority over spectacle. She wore a black button‑up shirt tucked into high‑waisted black trousers , cinched with a belt to define the waistline. The monochrome ensemble projected a sense of discipline and polish, underscoring the event’s corporate and leadership‑focused atmosphere.
Her choice of attire was deliberately pared back—no dramatic embellishments, no couture theatrics—just a clean, tailored silhouette that aligned with the summit’s ethos of influence and impact. The backdrop, emblazoned with FORTUNE MPW , reinforced the setting’s emphasis on power and presence rather than glamour.
Milly Alcock wore a Harris Reed custom black sheer gown with gold accents and David Yurman jewelry at the Academy Museum Gala in Los Angeles on October 18, 2025.
On October 18, 2025, Milly Alcock attended the Academy Museum of Motion Pictures 5th Annual Gala in Los Angeles , arriving in a look that fused theatricality with couture precision. She wore a Harris Reed custom gown , a floor‑length black creation with sheer panels and vertical gold accents running down the sides . The fitted bodice transitioned into a subtly flared hem, while the gown’s transparency and metallic detailing created a striking interplay of light and shadow.
Her long, wavy blonde hair framed the look with softness, balancing the gown’s structured drama. Alcock accessorized with an array of David Yurman jewelry , including the Crossover Ring, Dy Mercer Color Stone Ring, Crossover Two Row Ring, Pave Pinky Ring , Stax Chain Link Ring, Floating Diamonds Ring, and Schlumberger‑inspired designs . The layering of multiple rings added texture and sparkle, reinforcing the gown’s interplay of gothic romance and modern glamour.
This appearance reflected the 2025 fascination with sheer couture gowns , where transparency is used not for shock but for architectural storytelling. Harris Reed’s design language—rooted in gender‑fluid romanticism and dramatic silhouettes —was evident in Alcock’s look, which merged gothic undertones with red carpet elegance.
In the broader context of red carpet fashion , her gown exemplifies how stars now embrace designer outfits as cultural statements . By pairing Reed’s theatrical couture with David Yurman’s contemporary jewelry, Alcock reinforced the synergy between avant‑garde design and heritage craftsmanship , ensuring her presence was among the best dressed of the evening .
