Anna Zavelson leaned into gothic glam at the “Exorcistic” opening—her asymmetrical black look felt equal parts punk priestess and off-duty runway renegade.
At the opening night of Exorcistic: The Rock Musical —a fever-dream fusion of horror and glam rock—Anna Zavelson delivered a look that felt tailor-made for the show’s chaotic spirit. Held at Asylum NYC, the event drew a crowd of downtown creatives and genre die-hards, but Zavelson’s outfit stood out like a well-placed scream in a silent chapel.
👗 Outfit Focus Her black asymmetrical dress featured a wrap-style front that hinted at ritualistic robes but with a modern, streetwise twist. The fabric appeared matte and structured, giving the silhouette a grounded feel despite its off-kilter hemline. It was a clever nod to the musical’s chaotic themes—controlled disorder rendered in cloth. The neckline was modest, but the asymmetry added visual intrigue, making the piece feel more like a fashion-forward interpretation of ceremonial garb than a literal costume.
🖤 Accessories & Synergy Zavelson paired the dress with black ankle boots—chunky, utilitarian, and perfect for stomping through both red carpets and haunted corridors. On one wrist, a stack of bracelets added metallic contrast, catching the light like relics from a rock opera altar. No bag, no necklace—just the boots and bangles, which kept the look grounded in punk minimalism.
💄 Styling Cohesion Hair was worn down, slightly tousled, with a natural texture that softened the angularity of the outfit. Makeup stayed in the neutral zone—likely a matte base, subtle contour, and a muted lip—allowing the outfit’s structure and accessories to take center stage. The overall styling felt intentional but not overworked, like she’d stepped out of a rehearsal for a Patti Smith biopic.
🎬 Cultural Context In a season where celebrity fashion often leans toward hyper-polished perfection, Zavelson’s look was refreshingly raw. It tapped into the resurgence of “ritual grunge”—a trend that blends spiritual symbolism with punk aesthetics, seen recently on runways from Rick Owens to Marine Serre. Her appearance at Exorcistic wasn’t just a red carpet moment—it was a cultural bookmark in the evolving language of downtown style.
And for those tracking the pulse of celebrity fashion , this is one to file under “quietly iconic.”
Oti Mabuse turned an elevator into a runway—her black-and-gold slit gown, high ponytail, and radiant smile made the whole scene feel like couture in motion.
There’s something deliciously cinematic about Oti Mabuse’s latest fashion moment—an elevator, warm wood paneling, and a dress that practically demands its own spotlight. It wasn’t a red carpet, but it might as well have been. Mabuse’s look captured the kind of high-drama elegance that feels both editorial and deeply personal, like a character stepping out of a dream sequence with perfect lighting and better shoes.
✨ Outfit Focus The dress: a black, one-shoulder stunner adorned with gold floral embroidery that dances across the fabric like baroque brushwork. The texture reads rich and tactile, with the gold detailing catching ambient light in a way that feels almost ceremonial. A high slit slices through the silhouette, revealing one leg with unapologetic flair—this isn’t a gown that whispers. It commands. Cinched at the waist with a decorative element that adds structure without fuss, the cut balances drama and discipline. The asymmetry of the neckline adds tension, while the overall silhouette remains fluid and statuesque.
Paige DeSorbo dialed up the drama in sheer black layers and sculptural heels—her NYFW appearance felt less like a party look, more like a manifesto.
There’s something deliciously defiant about Paige DeSorbo’s latest outing at NYLON Nights: Fashion Edition Celebration during New York Fashion Week. While most attendees leaned into playful prints and seasonal flirtations, DeSorbo arrived like a noir apparition—her look, a study in tension between exposure and control.
Outfit Focus The sheer black dress, cut with a plunging V neckline and fluid draping, flirted with vulnerability but never surrendered to it. The fabric—gauzy, almost liquid—caught the light in a way that suggested movement even when she stood still. No visible embellishments, no overt branding. Just silhouette and shadow. The hem grazed mid-thigh, balancing the deep neckline with a sense of architectural restraint. It’s unclear who designed the piece (unconfirmed at press time), but its minimalism felt intentional—like a whisper that still manages to command the room.
Styling Cohesion Hair was pulled back tightly, emphasizing bone structure and keeping the focus on the dress’s geometry. Makeup leaned matte and neutral, with a soft contour and nude lip—nothing to compete with the outfit’s starkness. The overall mood? Controlled rebellion. Think Helmut Newton meets NYFW street realism.
🕰️ Cultural Context In a season obsessed with maximalism—ruffles, sequins, and dopamine dressing—DeSorbo’s stripped-back look felt like a quiet protest. A reminder that fashion doesn’t always need to shout to be heard. Her appearance aligns with a growing microtrend: the return of “editorial minimalism,” where the absence of detail becomes the detail.
And if you’re tracking the evolution of celebrity style , this moment deserves a pin. It’s not just about what she wore—it’s about how she wore it.
