Anne Hathaway’s chiffon fantasy—ruffled, romantic, and vaguely bridal—floated down Venice’s red carpet like a memory half-remembered
There’s something about Anne Hathaway in motion—especially when she’s wrapped in a thousand layers of chiffon. On September 3rd, 2008, at the 65th Venice International Film Festival, Hathaway arrived at the Rachel Getting Married premiere in a gown that felt like a dream stitched into reality.
Alix Earle’s dog-day uniform—sun-bleached, cheeky, and TikTok-ready—turns a seaside stroll into a soft-focus campaign for coastal cool (and canine couture).
There’s something delightfully unserious about Alix Earle’s July 20th Instagram drop: a beach, a bikini, and a cap that reads “Dog Days of Summer.” But unserious doesn’t mean unstyled.
Gwen Stefani, ever the chameleon, unveiled a surprisingly subdued yet utterly sophisticated aesthetic at the Black Ball concert in New York’s Hammerstein Ballroom on October 25th, 2007.
Stepping onto the scene, amidst a palpable buzz of anticipation, Gwen Stefani presented a masterclass in understated elegance. Gone were the audacious punk-rock flourishes; in their place, a gracefully draped, deep indigo dress that seemed to flow around her like liquid midnight.
