Anya Chalotra wore a gray blazer with a bandeau top and asymmetrical skirt at The Fashion Awards 2025.
Anya Chalotra’s appearance at The Fashion Awards 2025 in London was a study in contemporary tailoring and asymmetrical tension. She wore a gray oversized blazer over a black bandeau top , paired with a layered black asymmetrical skirt and pointed dark brown heels . The silhouette played with volume and exposure, balancing the sharpness of menswear with the fluidity of deconstruction.
The oversized blazer, with its dropped shoulders and elongated cut, introduced a note of authority — but the bandeau beneath disrupted that narrative, injecting a flash of skin and softness. The skirt, with its uneven hem and layered detailing, added movement and visual complexity, refusing to settle into symmetry.
Pamela Anderson appears in Vogue Scandinavia’s December 2025 issue, photographed by Casper Sejersen in a multi-look editorial that blends stark minimalism, Nordic surrealism, and sculptural fashion language. The shoot spans indoor and outdoor compositions, each one reframing Anderson’s presence through texture, posture, and spatial tension.
Pamela Anderson’s December 2025 editorial for Vogue Scandinavia , shot by Casper Sejersen, is a masterclass in visual restraint and psychological styling. Across multiple setups — from moss-covered outdoor vignettes to clinical interiors and theatrical domestic scenes — Anderson is styled in a series of sculptural, often monochromatic ensembles that prioritize silhouette over spectacle.
The editorial’s power lies in its spatial logic. Anderson is never centered for comfort — she’s perched on blocks, framed by roses, or caught mid-motion in a corner. Each pose feels like a choreographed interruption. The garments, ranging from pinstriped coats to poncho-like wraps and pastel dresses, are chosen not for glamour but for geometry. They echo the architecture around her — cracked walls, mirrored surfaces, and glass cubes — creating a dialogue between body and environment.
Sejersen’s lens treats Anderson not as a celebrity, but as a figure of abstraction. Her expressions are neutral, her gestures deliberate. The styling avoids overt femininity, instead leaning into high fashion codes of asymmetry, volume, and texture. Even the flowers — scattered on carpet, suspended in glass, or blooming beside concrete — feel like counterpoints to the garments’ severity.
This is not a beauty shoot. It’s a study in presence. Anderson’s legacy as a pop icon is neither erased nor emphasized — it’s recontextualized. The editorial suggests that reinvention doesn’t require transformation. It requires reframing.
Rosalía appeared on The Tonight Show Starring Jimmy Fallon on November 16, 2025, wearing a voluminous satin ensemble with theatrical flair. The look fused performance fashion with surrealist glamour, amplifying her presence through texture, silhouette, and staging.
Rosalía’s November 16, 2025 performance on The Tonight Show Starring Jimmy Fallon was a visual crescendo of theatrical fashion and sonic mysticism. Seated on a bed draped in vibrant blue satin ruffles , framed by matching curtains, she wore a strapless, light-toned voluminous dress , white tights , and sparkly high heels . The entire composition — from the fabric’s sheen to the exaggerated silhouette — felt like a surrealist painting rendered in motion.
The look wasn’t just dramatic; it was architectural. The voluminous skirt created a sculptural base, while the satin backdrop extended the garment’s logic into the environment. This wasn’t a stage — it was a mise-en-scène. Rosalía’s styling blurred the line between costume and couture, performance and installation.
Her pose — seated, grounded, yet commanding — suggested a deliberate inversion of pop performance tropes. No choreography, no spectacle. Just presence. The white tights and glittering heels added a layer of vintage cabaret, but the overall effect was more avant-garde than nostalgic.
In the context of her evolving visual language — from flamenco futurism to reggaeton minimalism — this look marks a pivot toward surrealist intimacy . It’s not about scale; it’s about saturation. The blue satin doesn’t just frame her — it absorbs her, making the fashion part of the emotional register.
