Anya Taylor-Joy wore a strapless black gown with floral wrist accents at the Marrakech Film Festival Opening Ceremony.
At the Opening Ceremony of the 22nd Marrakech International Film Festival on November 28, 2025 , Anya Taylor-Joy appeared in a look that fused red carpet fashion-coded silhouette architecture with celebrity dresses-coded contrast logic , framed against a crimson backdrop marked by bilingual festival branding.
Taylor-Joy wore a strapless black gown with a voluminous silhouette that gathered at the waist and extended to the floor, punctuated by white floral embellishments at the wrists . The gown’s sculptural flow introduced a layer of couture dress-coded spatial drama , while the floral cuffs injected designer outfit-coded chromatic punctuation . Her stance—upright and composed—reinforced the editorial’s red carpet arrivals-coded compositional clarity , where posture and proportion co-author the moment.
Millie Bobby Brown wore double buns and gold jewelry for her November 2025 New York Times portrait.
For her November 2025 portrait feature with The New York Times , Millie Bobby Brown appeared in a look that fused celebrity beauty look-coded hair architecture with editorial glam-coded tonal restraint , set against a solid blue backdrop that amplified contrast and clarity.
Brown’s hair was styled in two high buns , with long strands framing her face , introducing a layer of hair trends-coded silhouette play . The style evoked early-2000s pop-coded duality logic , reframed through 2020s makeup inspiration-coded editorial minimalism . Her makeup was soft and neutral, with radiant skin , natural glow , and subtle lip color , leaning into red carpet beauty-coded restraint fluency . The lighting—soft and even—highlighted her facial features without distortion, reinforcing the editorial’s beauty look-coded compositional precision .
Jenna Ortega wore a structured black gown at the Marrakech International Film Festival in November 2025.
