Anya Taylor-Joy wore a cream shearling coat, long skirt, and Essen black leather ballet flats while arriving at her hotel in New York City on November 12, 2025.
On November 12, 2025 , Anya Taylor-Joy was spotted arriving at her hotel in New York City , wearing a look that emphasized street style-coded winter elegance reframed as urban softness . She wore a cream-colored shearling coat with a matching hood , belted at the waist with a gray sash , paired with a long cream skirt and Essen black leather ballet flats .
The coat’s plush texture and voluminous silhouette created a cocoon-like effect, while the monochromatic palette reinforced the ensemble’s tonal discipline. Her choice of flats added grounded contrast to the otherwise sculptural upper layers, suggesting a deliberate balance between comfort and visual impact.
Kendall Jenner wore an off-the-shoulder black outfit while leaving the GQ Men of the Year Party in Los Angeles on November 13, 2025.
On November 13, 2025 , Kendall Jenner was photographed leaving the GQ Men of the Year Party in Los Angeles , wearing a look that emphasized event appearance-coded minimalism reframed as exit-stage drama . She wore a black off-the-shoulder outfit , styled with a clutch purse and smartphone in one hand , and a single red rose in the other — a gesture that added symbolic punctuation to the otherwise monochrome ensemble.
Her accessories included stud earrings and a black clutch , while her footwear appeared to be black pointed-toe shoes , grounding the look in classic eveningwear codes. The styling was deliberately shielded — with Jenner partially obscuring her face — suggesting a moment of transition, privacy, or post-event fatigue, all reframed through paparazzi style-coded tension.
Shay Mitchell wore a nude corset over a black bra top with loose black trousers at the GQ Men of the Year event in Los Angeles, November 13, 2025.
At the GQ Men of the Year event in Los Angeles on November 13, 2025 , Shay Mitchell appeared in a look that emphasized red carpet-coded structure reframed as editorial tension . She wore a nude-toned structured corset layered over a black bra top , paired with loose-fitting black trousers and black pointed-toe shoes . The ensemble’s silhouette played with contrast — architectural rigidity above, relaxed tailoring below — creating a visual rhythm that felt both deliberate and directional.
Accessories included a delicate necklace and earrings , adding subtle punctuation to the neckline and face. Her hair was styled sleek and center-parted, reinforcing the outfit’s clean geometry, while makeup leaned toward bronzed tones and soft contouring.
