Anya Taylor-Joy wore a long brown shearling coat and black platform boots while leaving her hotel in Paris on January 24 2026.

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Ariana Greenblatt was seen filming the movie Somedays in Westfield, New Jersey, wearing a checked top and striped scarf on January 23 2026.

On the New Jersey set of Somedays , Ariana Greenblatt was captured between takes, stepping out of a black van into the gray afternoon light. The moment looked quiet, the kind that happens when a shoot pauses but the cameras keep rolling anyway. She wore a light plaid button-up shirt , fitted but soft, the kind that creases naturally around the elbows. A long striped scarf – brown, beige, paper-thin – hung loosely down her front, brushing against the patterned brown skirt below.

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Her hair was curled up in a loose and playful bun, flecks of pink visible through the darker strands, giving a faint kiss of color against the neutral palette. She seemed deep in thought, head lowered slightly, eyes toward the ground. Around her, crew gear caught the edges of the shot: a camera rig, cables, a reflection in the van’s door. It felt more like a behind-the-scenes film still than a paparazzi moment.

Kiernan Shipka wore a black sheer lace top and wide-leg trousers at the Elvis Mitchell Suite panel during the 2026 Sundance Film Festival.

At the Elvis Mitchell Suite inside the 2026 Sundance Film Festival in Park City, Kiernan Shipka stood out in a look that balanced dark texture with sharp lines. She wore a black lace crop top with ornate florals traced over sheer fabric. The design revealed subtle edges of structure under the delicacy, sleeves puffed slightly at the shoulders, soft but intentional.

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Her high-waisted trousers grounded the look in clean tailoring, falling straight with relaxed volume through the leg. The trousers’ simplicity let the lace do the speaking — fearless contrast between exposure and control. Shipka’s hair was styled up, a neat bun saving her from the mountain air, and her makeup leaned classic: light shadow, quiet lip, skin left mostly true.

The image felt cinematic, the kind of event appearance styled for intimacy rather than spectacle. Lace, air, and quiet strength — fashion as poise, not noise.