Anya Taylor-Joy wore a black turtleneck and Khaite leather zip skirt at Apple TV’s 2026 Press Day held in Santa Monica on February 3.
At the Apple TV Press Day on February 3rd, 2026 , held at Barker Hangar in Santa Monica, Anya Taylor-Joy showed up with the ease of someone who doesn’t need noise to be noticed. A black fitted turtleneck tucked tightly into a high-rise leather pencil skirt , cut long with a front zip-slit slicing upward toward the thigh—clean, slick, unfussy.
The skirt is the Khaite Ruddy Skirt , and it looks like it was made for exactly this kind of event appearance : minimalist backdrop, media-facing stillness, cameras at waist level. Her hair hung down pin-straight—glass-blonde and precise. Black lacquered open-toe stilettos kept the look strict but breathable. No visible bag. Barely-there jewelry. No color, unless you count the slight sheen on the leather catching beige carpet tones beneath.
This ensemble pushes past “editorial” into something colder. Cooler. Control cosplay . Instead of ornamentation, it leans on silence—no print, no sparkle, no delay. And that’s exactly what makes it feel modern: In an industry built on choreography, she dresses like she already knows the scene ends on her.
Margot Robbie wore a long black leather coat and wide-leg trousers with dark sunglasses during a casual London outing on February 3, 2026.
In London on February 3rd, 2026 , Margot Robbie gave us one of those rare street style moments that doesn’t try too hard. Just a woman on the move with sharp tailoring and somewhere to be. She wore a long black leather trench , heavy in drape but easy in cut—cinched slightly at the waist, shoulders broad but relaxed, falling open just enough to show pieces underneath. All black. All texture.
There’s no title card, no glossed-up exit. Just midnight-toned wide-leg pants skimming the ground, barely catching the heel of her black leather Chanel pumps from the Spring 2026 collection . In hand? A structured Hermès Birkin bag —worn, not flaunted. Her Akila Verve sunglasses tucked perfectly into the frame of soft hair, straight and parted down the middle. Shades on. No expression given away.
It’s not edgy. Not glamorous, either. This is travel dressing that understands luxury without advertising it. The Sage & Salt Evil Eye Charm on her Birkin adds exactly one wink to the otherwise stone-faced look. No trend-chasing, no effort to charm the lens. Just function, form—and flight path energy. The look wasn’t built to pose, it was built to move—and that’s the whole point.
Kate Middleton wore a red Welsh wool coat and green tailoring during her February 2026 visit to textile manufacturers in West Wales.
On February 3rd, 2026 , during a working visit to West Wales, Kate Middleton stepped into the Melin Tregwynt woollen mill wearing exactly what the moment called for—a coat that quite literally spoke the language of the place. The piece was red-toned , woven with a tight, repeating circular pattern in burnt orange and deep indigo , and looked unmistakably like vintage Welsh tapestry cloth. Smart but not stiff. Traditional, but not backward.
This public appearance may have been rooted in heritage, but the styling choice didn’t wallow in nostalgia. There was modernity under all the mill talk—a subtler narrative of revival . She came dressed like a future patron of craft, not a relic of monarchy, and that’s what made the moment pin-sharp.
