Anya Taylor-Joy wore a black Tom Ford lace-trimmed dress with Tiffany & Co. jewelry at the Marrakech Film Festival Closing Ceremony in 2025.
On December 6, 2025, Anya Taylor-Joy arrived at the Closing and Awards Ceremony of the 22nd Marrakech International Film Festival in Morocco. For this prestigious finale, she selected a monochromatic ensemble centered on a black Tom Ford Lace-Trimmed Envers Satin Maxi Dress . The garment is anchored by a structured Tom Ford Laser-Cut Leather Triangle Bralette , creating a distinct interplay between lingerie-inspired delicacy and architectural rigor. This dark, romantic aesthetic offers a sharp counterpoint to the traditional vibrancy of celebrity red carpet fashion.
The choice of severe black lace against the historic backdrop of Marrakech suggests a deliberate pivot toward Gothic Romanticism. While the festival circuit often invites high-octane color, this look embraces a moodier, more introspective narrative. It aligns with a broader industry shift where stars are trading overt spectacle for garments that emphasize construction and texture—a “quiet drama” that feels particularly resonant for a closing ceremony, signaling a serious engagement with the art of cinema rather than just the flashbulbs.
Visual interest is driven by the dress’s construction, where geometric panels of lace create a chevron effect down the torso, leading into a sheer skirt that reveals Tom Ford Ankle Strap Sandals . The styling is precise and uncluttered. She wears Tiffany & Co. Bird on a Rock Wings Drop Earrings in Platinum with Diamonds , which provide a sharp vertical brilliance framing her face. Although her pose—hands clasped behind her back—obscures the Tiffany & Co. Bird on a Rock Wings Wide Bangle in Platinum with Diamonds and the Tiffany & Co. Schlumberger Sixteen Stone Ring with Diamonds , the inclusion of these heritage pieces (as noted in the styling credits) reinforces the look’s high-jewelry pedigree.
Dakota Johnson wore a draped black ensemble styled with a statement Phoebe Philo necklace at the Red Sea Film Festival 2025.
On December 5, 2025, Dakota Johnson attended the 5th Red Sea International Film Festival in Jeddah, bringing her signature brand of effortless nonchalance to the Middle Eastern red carpet. For the occasion, she selected a relaxed, black draped garment—likely a jumpsuit or soft-tailored dress—defined by a plunging V-neckline and a knotted waist sash that adds soft structure to the fluid silhouette. The look eschews the rigid corsetry often seen on the celebrity red carpet , favoring a slouchy, pajama-adjacent luxury that feels both intimate and sophisticated.
Johnson’s aesthetic consistently challenges the high-gloss machinery of Hollywood glam. By opting for matte fabrics and loose fits in a region often associated with high-octane couture and embellishment, she signals a quiet confidence. This “undone” approach aligns with the post-pandemic shift toward wardrobe staples that prioritize wearer comfort over performative restriction, positioning her as a muse for the modern, practical intellectual.
Ana de Armas wore a Louis Vuitton leather ensemble with Logan Hollowell jewelry at the F1 Grand Prix of Abu Dhabi in 2025.
Ana de Armas brought high-octane glamour to the paddock at the F1 Grand Prix of Abu Dhabi at Yas Marina Circuit on December 07, 2025, cementing her status in the world of celebrity style . For this high-profile public appearance , the actress selected a sharp, moto-inspired ensemble by Louis Vuitton. The look was anchored by the house’s Leather Pleated Jacket , which she opted to drape casually over her shoulders rather than wear fully, creating a relaxed silhouette against the racetrack backdrop. She paired this with high-waisted Leather Details Pants , characterized by prominent gold zipper hardware at the hips and tonal leather paneling on the legs. A minimalist white bandeau top provided a crisp visual break from the heavy textiles, while black pointed Legacy Boots completed the vertical line. The outfit was finished with the delicate Eau De Rose Cut Lariat by Logan Hollowell and a stack of colorful F1 VIP lanyards.
Formula 1 paddocks have rapidly evolved into arguably the most influential runways in luxury fashion, demanding a specific code of “moto-core” that balances mechanical durability with editorial polish. De Armas’s choice reflects the current trajectory of celebrity event look styling at sporting events, where heritage luxury brands like Louis Vuitton are recontextualizing their leather goods heritage to fit the gritty, adrenaline-fueled atmosphere of motorsport.
The success of this ensemble lies in its refusal to descend into costume. While the zippers and leather panels clearly nod to the engineering aesthetics of Formula 1, the styling retains a distinctly Parisian polish. The decision to pair the rigid, armored texture of the Leather Details Pants with a sliver of skin at the midriff prevents the look from feeling suffocatingly heavy. The precision of the gold hardware mirrors the technical complexity of the cars on the track, suggesting a synergy between the wearer and the environment that feels deliberate rather than decorative. While the jacket drape is a common styling trope, here it functions practically to mitigate the visual weight of wearing leather in the Emirates heat. It creates a silhouette that is audacious yet composed, effectively bridging the gap between spectator and spectacle.
